Out of the Blue
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4.0 • 2 Ratings
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- $7.99
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- $7.99
Publisher Description
Continuing her sparkling, sexy Stewart Sisters trilogy, bestselling author JoAnn Ross pens a romantic suspense story set in the glorious Great Smoky Mountains, where a tough man and a passionate woman find love amid danger.
Lark Stewart is on the run from a singing career that skyrocketed out of control...and from someone who's bent on murder. When one of her band members is killed in New Orleans, Lucas McCloud -- her first love and a former FBI agent -- takes Lark home. But the remote Stewart family resort offers no protection from the madman who's working his way across the mountains.
A Desert Storm hero and FBI sniper, Lucas is haunted by a tragic mission in his past. But with the mysterious killer stalking Lark, Lucas is forced back into the life he left behind. For Lark is the only woman he's ever loved, and the only person who can save his soul...provided he saves her first.
PUBLISHERS WEEKLY
Ross's latest, the second in a trilogy begun with the far stronger Out of the Mist, follows famous country singer Lark Stewart through perils worthy of the silent screen's Pauline. They begin when Lark's longtime bandmate Danny Murphy is shot in New Orleans. Briefly suspected of the crime, Lark is then released, but not before a sadist who has stalked her escapes from jail. Her family sends her girlhood sweetheart, Lucas McCloud, to protect her. A onetime sniper and FBI agent turned furniture maker, Lucas's lifelong love for Lark derailed first by teenage folly and later by his dangerous work has never died. Though their return to their birthplace in the Smokies re-ignites their romance, Lark remains under threat from the stalker, a scheming ex-husband and Danny's still-unidentified attacker. In place of the colorful history and family humor found in Ross's previous installment, this book offers a jumble of overcomplicated backstory, inconsequential characters and melodramatic plot twists, including a temporary and unlikely bout of amnesia and a plane crash. Crowded with contrivance, the story never finds either its rhythm or its heart; to the end, Lark and Lucas remain puppets of the frantic plot rather than compelling characters in and of themselves.
