Five Days in November
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4.8 • 9 Ratings
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- $14.99
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- $14.99
Publisher Description
Secret Service agent Clint Hill reveals the stories behind the iconic images of the five tragic days surrounding President John F. Kennedy’s assassination in this 60th anniversary edition of the New York Times bestseller.
On November 22, 1963, three shots were fired in Dallas, President John F. Kennedy was assassinated, and the world stopped for four days. For an entire generation, it was the end of an age of innocence.
That evening, a photo ran on the front pages of newspapers across the world, showing a Secret Service agent jumping on the back of the presidential limousine in a desperate attempt to protect the President and Mrs. Kennedy. That agent was Clint Hill.
Now Hill commemorates the sixtieth anniversary of the tragedy with this stunning book containing more than 150 photos, each accompanied by his incomparable insider account of those terrible days. A story that has taken Hill half a century to tell, this is a “riveting, stunning narrative” (Herald & Review, Illinois) of personal and historical scope. Besides the unbearable grief of a nation and the monumental consequences of the event, the death of JFK was a personal blow to a man sworn to protect the first family, and who knew, from the moment the shots rang out in Dallas, that nothing would ever be the same.
PUBLISHERS WEEKLY
What this book whose contents we've waited 50 years for lacks in artistry, it makes up for in immediacy. Hill was one of the Secret Service agents beside J.F.K.'s car at the time of his assassination, and he managed to clamber onto the trunk in an attempt to protect the chief executive and his wife. Hill continues to feel guilty over the president's death. His account offers new, minute details of the events in Dallas and Washington, D.C., immediately before and after J.F.K.'s death. Sometimes those details are unnecessary and his precise recollection of them seems difficult to believe. But the book's photographs some rare, some probably never seen before are a particular strength. Astonishingly, however, none of them is captioned, nor are any of the locations, figures, or events in them identified. This inexplicable omission is unlikely to dent the book's appeal to aficionados of the period. But for those less knowledgeable about the Camelot era and its tragic end, the lack of captions represents a lost opportunity.
