I Am Madame X
A Novel
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- £8.49
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- £8.49
Publisher Description
An intriguing and absorbing novel about the life of Virginie Gautreau, the subject of John Singer Sargent's most famous portrait Madame X, which scandalized the 1884 Paris Salon—perfect for fans of the bestselling Girl with a Pearl Earring.
When John Singer Sargent unveiled Madame X—his famous portrait of twenty-three-year-old American beauty Virginie Gautreau—at the 1884 Paris Salon, its subject's bold pose, bare shoulders, and provocative dress shocked the public and the critics, who found the portrait displaying Virginie's blatant sexuality bizarre, artificial, and unwholesome. The scandal destroyed Sargent's dreams of a career in Paris, forcing him to flee to England.
In this remarkable novel, Gioia Diliberto imagines Virginie's side of the story, drawing on the few known historical facts to re-create Virginie's tempestuous personality and the captivating milieu of nineteenth-century Paris. Born in New Orleans and raised on a lush plantation, Virginie fled to France during the Civil War, where she was absorbed into the fascinating and wealthy world of grand ballrooms, dressmakers' salons, and artists' ateliers. Even before Sargent painted her portrait, Virginie's reputation for promiscuity and showy self-display made her the subject of vicious Paris gossip.
Immersing the reader in Belle Epoque Paris, I Am Madame X is a compulsively readable and richly imagined novel illuminating the struggle between Virginie and Sargent over the outcome of a painting that changed their lives and affected the course of art history.
PUBLISHERS WEEKLY
Paris gasped and gossiped when John Singer Sargent's portrait of Madame X was first exhibited in 1884. Everyone knew the subject was the notorious Virginie Gatreau, and Sargent's shocking depiction posed in profile, the woman boasts bare shoulders, deep d colletage and an exotically pale complexion intimately suggested her vanity, arrogance and sexuality. In her first novel (after biographies of Jane Addams, Hadley Hemingway and Brenda Frazier), Diliberto competently imagines Gatreau's controversial life. During the Civil War, six-year-old Virginie, her younger sister and her widowed mother flee the Union soldiers approaching her grandmother's sugar plantation in Louisiana. As an expatriate in Paris, Virginie (or Mimi, as she is called) becomes a "professional beauty," someone who is "received in the best society but ha no other occupation, no other ambition than to be beautiful." At 15, she begins trysting with a married doctor. Pregnant, she hastily marries social climber Pierre Gatreau (and then suffers a miscarriage). Later, she has an affair with French Republican leader Leon Gambetta. Her life is filled with tragedy: the shame of pregnancy, the death of her sister from typhoid and her emotional isolation. Her only trustworthy relative is her Aunt Julie, who refuses to marry and becomes a professional artist; Virginie's narcissistic mother uses her daughter to get into the top echelons of society. This fast scroll through history (the Civil War, the fall of the French Second Empire, the belle poque, etc.) against a backdrop of parties, salons, operas, artists' studios and sexual escapades is inviting for its wealth of well-researched period details, but limited by its narrator's sensibility. In this evocation, Virginie Gatreau never becomes anything more than a shallow object of beauty.
