Build Your House Around My Body
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2022
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- £4.99
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- £4.99
Publisher Description
'Fantastic' The Sunday Times * 'Beautiful, brilliant, powerful' Madeline Miller, bestselling author of Circe
Part ghost story, part searing exploration of Vietnam's colonial past, Violet Kupersmith's debut novel is a must read for fans of Cecile Pin, NoViolet Bulowayo or Ruth Ozeki
Two young Vietnamese women go missing decades apart. Both are fearless, both are lost. And both will have their revenge.
1986: The teenage daughter of a wealthy Vietnamese family gets lost in an abandoned rubber plantation while fleeing her angry father, and is forever changed by the experience.
2011: Twenty-five years later, a young, unhappy Vietnamese-American disappears from her new home in Saigon without a trace.
The fates of both women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Violet Kupersmith's heart-pounding fever dream of a novel hurtles through the ghostly secrets of Vietnamese history to create an immersive, playful, utterly unforgettable debut.
'Fiction as daring and accomplished as Violet Kupersmith's first novel reignites my love of the form and its kaleidoscopic possibilities' David Mitchell, author of Cloud Atlas
PUBLISHERS WEEKLY
Kupersmith's exceptional debut novel (after the collection The Frangipani Hotel) offers profound and original insight on Vietnam's tortured history. Twenty-two-year-old Winnie, a mixed-race American woman, signs up to teach English in Saigon in an attempt to connect with the Vietnamese part of her heritage, and essentially dooms herself to failure: "her life would continue to be as empty as her luggage, wherever she went," Kupersmith writes. Winnie figures out how to placate her students by helping them learn American terms such as "booty call" and "loaded nachos," and enters a more or less satisfactory romantic relationship with a fellow teacher, but then disappears. At this point, the chapters range widely beyond Winnie's present-day story to the days, months, and years before and after her disappearance. These vivid vignettes—horrifying and hilarious by turns—are marvelously written and include nightmarish scenes of immolation, two-headed snakes, and other accounts of disappearing young women, as well as a memorable team of ghost hunters and a soul-swapping dog. The multiple pages of maps and dramatis personae at the novel's opening help ground the reader through this disorienting but captivating opus, until the clues and characters coalesce in a way that's both surprising and satisfying. Magic can be both benevolent and monstrous in Kupersmith's work, and here she indelibly illustrates the ways in which Vietnam's legacies of colonialism, war, and violence against women continue to haunt. This more than fulfills the promise of her first book.