The King of Cards
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- $7.99
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- $7.99
Publisher Description
Ward once again explores the alchemy of stubborn yearnings and unrealized dreams amidst the well-tended rowhouses of his native city. There’s a mounting fury in Tommy Fallon’s heart in the fall of 1965. He’s finally found his life’s calling – thanks to the inspiration of Professor Extraordinaire Sylvester Spaulding. Young Tom wants to be lifted on the wings of genius, to ascend to a clean, well-lighted place where cultured people talk about deep things. But how can this college boy learn anything about life or art while living in his family’s house of pain? Pop Fallon’s youthful dreams of becoming a painter were dashed by the Depression and his own internal demons; he rarely comes out of the inner sanctum of His Holy Toilet, where he’s long been lost to the rituals of obsessive/compulsive behavior. Mom Fallon – beaten down by the vast resentment her husband harbors against her and all the other “Baltimorons” – is so starved for love that she enters the Miss Kissable Lips contest at the local radio station. Tom realizes he needs a refuge: a quiet, modest room of his own. There he won’t have to see the defeat in his parents’ eyes. There he’ll follow Dr. Spaulding’s lead by living inside the books that seem to be keeping his spirit alive. The King of Cards is the story of how Tom is saved from becoming a myopic, dispassionate snob when he answers an ad for off-campus housing. In the remarkable person of Jeremy Raines – World-Class Confidence Man with a Streak of Idealism, and Pied Piper to a ragtag band of followers – Tom finds a sense of adventure that is positively euphoric.
PUBLISHERS WEEKLY
Ward, best known for Cattle Annie and Little Britches but most admired for the somber proletarian novel Red Baker , has worked in Hollywood for years; as with Richard Price, scriptwriting seems not to have affected his prose style. In fact, style is not his strong suit; his writing is energetic and emotional but often clumsy, and his attitude toward his characters is unmodishly intense. What comes across powerfully in this novel, as in Red Baker , is Ward's passionate belief in seemingly unpromising material, which leaves the reader carried away (sometimes unwittingly) by the sheer creative energy involved. Once again the scene is Ward's native Baltimore and the hero Tom Fallon, a '60s youth grappling with literature at a minor college and a miserable home life. He falls in with Jeremy Raines, a hippie genius with a scheme to sell photographic student ID cards to America's colleges, and the story tracks Fallon's struggle between his desire to be a good student and his attraction to the heady involvement in Life (including sex, booze and drugs) that Raines and his clan offer. Though the novel is awkwardly framed by Fallon's return visit to his college for an honorary degree celebrating his success as a writer, the vital excesses of the '60s are wonderfully evoked, and there are some hilarious and touching scenes, as well as some melodramatic and highly implausible ones. Despite its faults, the book's pulsing vitality--as in the novels of Thomas Wolfe, a writer of similar faults and virtues--carries the day.
