The Dark Side
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4.3 • 8 Ratings
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- $0.99
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- $0.99
Publisher Description
In this gripping sci-fi noir for fans of The Martian and Quentin Tarantino, when an anarchic android begins wreaking havoc on a moon-based penal colony and bodies start turning up, an exiled detective must decide who he can trust in a city of criminals.
Never bang your head against a wall. Bang someone else’s.
Purgatory is the lawless moon colony of eccentric billionaire, Fletcher Brass and mecca for war criminals, murderers, and curious tourists alike. You can’t find better drugs, cheaper plastic surgery, or a more ominous travel advisory anywhere in the universe. But trouble is brewing in Brass’s black-market heaven. When an exiled cop comes to enact law and order in this wild new frontier, he finds himself the lead investigator in a series of high-profile murders that puts him toe to toe with the city’s charismatic founder and his equally ambitious daughter.
Meanwhile, 2000 km away a memory-wiped android, Leonardo Black rampages across the lunar surface. Programmed with only the notorious “Brass Code”—a compendium of corporate laws that would make Ayn Rand blush—he journeys across the dark side of the moon with only one goal in mind: find Purgatory and conquer it.
PUBLISHERS WEEKLY
Noir reigns supreme in this mystery set on the far side of the Moon. Damien Justus is the new lieutenant in Sin, the major city in billionaire criminal tycoon Fletcher Brass's colony on Earth's moon. Settled by fugitives from Earth, Sin is not accustomed to the honest police work and hard-boiled ethics that Justus delivers, though he might be exactly what the city needs. Somebody is assassinating Sin's elite, and Justus doesn't yet know lunar politics well enough to suss out the outright lies from mere misdirection. Meanwhile, a homicidal android with delusions of grandeur is taking advantage of a communications blackout to murder his way across the Moon in search of El Dorado, or Oz, or anywhere else he might conquer. The story is rife with morbid humor and tense action that make excellent use of the setting. Some readers might be shocked to find themselves cheering for a killer robot who's never heard of the Tin Man but wants to be the Wizard; some might wish that O'Neill had omitted the traditional noir mistreatment of female characters. The rest will be too busy chuckling to look below the surface.
