Things They Lost
A Novel
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- $12.99
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- $12.99
Publisher Description
Named a Most Anticipated Book by Vogue and Vulture
“Alternately whimsical, sweet, and dark,” this astonishing debut novel about a lonely girl waiting for her mother “brim[s] with uncompromisingly African magical realism” (The New York Times).
Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning.
Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” (Vogue). Heartbreaking, elegant, and written in “giddily exuberant prose” (Financial Times), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.
PUBLISHERS WEEKLY
A haunting bond between mother and daughter is examined in Oduor's ambitious debut. In Mapeli Town, somewhere in East Africa, Ayosa Brown grows up with the ability to see the memories of her mother, Nabumbo Promise, from before she was born. She also witnessed Nabumbo Promise being attacked by a man with a knife, followed by her mother's act of retaliation. Now, at 13, Ayosa is often left alone for weeks or months by Nabumbo Promise as she travels for work as a photographer. Nabumbo Promise is tortured by painful secrets from her childhood involving her dead brother and estranged twin sister, which Ayosa knows about but keeps to herself. Ayosa and her mother have an intense, intoxicating relationship; Ayosa's love is ever replenishing and full of forgiveness, even though her mother's kisses sometimes repulse her, "like roaches crawling across face," and her mother's love is "lukewarm at best." On her own, Ayosa bonds with Sindano, a woman who owns a café that no one visits, and with Mbiu, a girl who stands outside various windows, sometimes for hours at a time. In their company, Ayosa comes to understand unconditional love. Oduor makes loss and familial disappointment palpable through her potent and visceral prose. This keeps the reader holding their breath. Jackie Ko, Wylie Agency.
