A Murder at Balmoral
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- USD 4.99
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- USD 4.99
Descripción editorial
The Crown meets Clue in this delightful locked-room mystery, sure to charm Agatha Christie fans and keep readers guessing to the end.
The king is dead. The killer is in the family. Solving this murder will be a royal pain.
The royal family has gathered at their Scottish retreat, Balmoral Castle, for a traditional Christmas. As a blizzard gathers outside and a delicious dinner is prepared, the family circles up for a holiday toast. King Eric has something momentous to say—in fact, he is about to name his successor. But as he raises a glass of his favorite whiskey, he drops dead.
The king has been poisoned, someone in the family must have done it, and each one of them had opportunity and motive. Eric’s beloved head chef, Jonathan, must now play detective. Why would one of the king's own family members want to kill him, and how did they do it? What happens in the castle usually stays in the castle, but this secret might be too big for these battlements. Jon is determined to expose the truth, even if it puts him in a killer’s crosshairs—and shakes the entire monarchy to its core.
PUBLISHERS WEEKLY
In this locked room mystery with echoes of Agatha Christie, British author McGeorge (Now You See Me) delivers a droll if disappointing look at a fictional royal family, whose members have gathered to celebrate a traditional Christmas at Balmoral Castle located in the remote Scottish Highlands. All the royals, a mixed bag of egos, have been made to hand over their mobile devices, and are soon cut off from the outside world by a huge blizzard. King Eric Windsor has sent all servants and staff home, demanding that the only people to be present are his family; his smarmy security "juggernaut," Tony Speck; and his loyal personal chef, Jonathan Alleyne. The 85-year-old king plans to make an important announcement that will affect the monarchy. But as he begins to describe his proposal during a toast, he drops dead from drinking poisoned whiskey. Mouth-watering scenes of the chef cooking make up only in part for an uninspired plot, a ho-hum resolution, and characters that are stock types, aside from Jonathan. McGeorge has done better.
