Babbitt
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- USD 0.99
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- USD 0.99
Descripción editorial
"A genuine American masterpiece." —Upton Sinclair
"The equal of any novel written in English in the present century." —Virginia Woolf
"It is 'Babbitt' that is [Sinclair Lewis’s] most perfect creation… We have to be thankful for the minor miracle that after almost a century, 'Babbitt' still speaks to us all." —Azar Nafisi
"A stunning work of realism." —H. L. Mencken
Prosperous and socially prominent, George Babbitt appears to have everything a man could wish: good health, a fine family, and a profitable business in a booming Midwestern city. But the middle-aged real estate agent is shaken from his self-satisfaction by a growing restlessness with the limitations of his life. When a personal crisis forces a reexamination of his values, Babbitt mounts a rebellion against social expectations — jeopardizing his reputation and business standing as well as his marriage.
Widely considered Sinclair Lewis’s greatest novel, this satire of the American social landscape created a sensation upon its 1922 publication. Babbitt’s name became an instant and enduring synonym for middle-class complacency, and the strictures of his existence revealed the emptiness of the mainstream vision of success. His story reflects the nature of a conformist society, in which the pressures of maintaining propriety can ultimately cause individuals to lose their place in the world.
“Babbitt” ranks among the important 20th-century works addressing the struggles of people caught in the machinery of modern life, and it remains ever-relevant as a cautionary tale against clinging to conventional values.
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Lewis's tale of middle-class frustration, stress and success in the 1920s is brought to life by the L.A. Theatre Works' 1987 full cast production featuring more than 30 actors, including Ed Asner (as Babbitt), Judge Reinhold, Ted Danson, Richard Dreyfuss, Helen Hunt and John Lithgow. With a deep and raspy voice and with great projection, Asner delivers a believable and amusing performance that securely anchors the entire production. Whether bullying his family or spouting politics with his friends at the club, Asner keeps the consistency of the self-aggrandizing character solid throughout. Jazz music segues well between scenes, though without any additional production sound beyond voices, it can at times feel out of place. While the full cast proves enjoyable in their individual parts, many take turns narrating the exposition throughout the production. At times, this is executed well, but sometimes it feels as if the director is just trying to give everyone more voice time.
