Golden Hill
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- USD 10.99
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- USD 10.99
Descripción editorial
Ambientada en Nueva York, en 1746, cuando todavía era una pequeña ciudad en un cabo de la isla de Manhattan, Golden Hill es una asombrosa primera novela llena de aventuras. Una tarde lluviosa de noviembre, un atractivo joven desembarca y se acerca a la oficina contable de la calle Golden Hill. El señor Smith es amable y encantador pero está decidido a levantar sospechas sobre quién es, qué es o qué quiere ser. En su bolsillo tiene lo que parece una letra de cambio de mil libras pero no explica por qué la tiene, ni de dónde viene, ni lo que está planeando hacer en las colonias con tanto dinero. Situada en una generación anterior a la de la Revolución Americana, pinta la imagen irresistible de una Nueva York mucho más provocadora de lo que fue inmediatamente después.
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Spufford's first novel is set in colonial New York City, where as new arrival from London Richard Smith discovers things can get out of hand quickly, and often do. As soon as his ship docks on Allhallows 1746, Smith heads to merchant Gregory Lovell's Golden Hill home to cash a large bill of credit. Despite Smith's refusal to divulge exactly who he is or how he intends to use the money, Lovell gives him a variety of currency and coin and introduces the young man to his daughters, lovely Flora and sharp-tongued Tabitha. For two months rumors fly, as Smith exchanges flirtatious jibes with Tabitha, cautiously converses with the slave Zephyra, drinks coffee with the governor's secretary, is rescued from a Guy Fawkes Day brawl by the secretary and the slave Achilles, dines with the governor, plays whist with the chief justice, languishes in debtor's prison, performs in a stage play, gets caught trysting with the play's full-figured star, fights a duel, and stands trial for murder. On Christmas Day, Smith finally reveals his high-minded purpose for coming to America. Recounting this picaresque tale with serious undertones, Spufford adeptly captures 18th-century commercial practices and linguistic peculiarities as well as pre-Revolutionary Manhattan's cultural hodgepodge. His New York bursts with energy, danger, and potential. His ironic, sometimes bawdy sense of humor and coy storytelling may frustrate those who do not "cotton" to the "cant," but patient readers are rewarded with a feast of language, character, local color, and historical detail.
