Saint Mazie
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- USD 5.99
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- USD 5.99
Descripción editorial
From the bestselling author of The Middlesteins comes comes this unique novel about a forgotten heroine of the 1930s.
Meet Mazie Phillips: big-hearted and feisty, she runs The Venice, the famed movie theatre in the rundown Bowery district of New York City. She spends her days taking tickets, chatting with drunks and eccentrics, and chasing out the troublemakers. After closing up, the nights are her own, and she fills them with romance and booze aplenty-even during Prohibition.
When the Great Depression hits, and homelessness soars, Mazie opens The Venice to those in need, giving them shelter and dimes for food and booze, and earning the nickname 'Saint Mazie'. Inspired by Joseph Mitchell's essay about Mazie in Up in the Old Hotel, acclaimed author Jami Attenberg's novel honours an extraordinary life and heralds a completely original approach to writing historical fiction.
Weaving together fictionalised diaries, writings and interviews, Attenberg has constructed an utterly convincing portrait of Mazie Philips, which is also a deeply moving portrait of New York as it passed through the First World War, Prohibition, the boom of the '20s, and then the terrible depression of the '30s.
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Attenberg's (The Middlesteins) new novel is based on the WWI- and Depression-era life of Mazie Phillips, Queen of the Bowery (and subject of a famous Joseph Mitchell New Yorker profile). The story unfolds mostly through diary entries, but also snippets from an unpublished autobiography (fictional, like the diary entries) and recollections of those who met or knew of the woman who, according to her New York Times obit, "passed out advice, money, and sympathy" to men who lost their livelihoods and dignity during the 1930s. Her coarseness of voice is on display as she tells her life story, eventually being taken in by Rosie and Louis Gordon, her older sister and brother-in-law. Louis owns legitimate businesses such as the theater Mazie runs but in all likelihood is a loan shark. Meanwhile, Rosie's demons force the family to move throughout New York City. As for Mazie, the good-time girl is also a woman who cares deeply about the less fortunate, and this plays out most endearingly in her friendship with a pious nun. In the book's final quarter, Mazie wanders the streets handing out change and calling ambulances for people, a pattern that seems emblematic of a difficult time, painting a vivid picture of life during the Depression.
