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Descripción de editorial
The Tao Te Ching is fundamental to the Taoist school of Chinese philosophy and strongly influenced other schools, such as Legalism and Neo-Confucianism. This ancient book is also central in Chinese religion, not only for Taoism but Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Taoist words and concepts. Many Chinese artists, including poets, painters, calligraphers, and even gardeners have used the Tao Te Ching as a source of inspiration. Its influence has also spread widely outside East Asia, aided by hundreds of translations into Western languages.
More than five dozen translations of the Tao te Ching exist in English, making it questionable whether there is a need for yet another. But Stephen Hodge's Tao te Ching: A New Translation and Commentary is revisionist enough to warrant a look. He spends a good part of the introduction situating Lao Tzu's work in the context of the Warring States period (475-221 B.C.E.), even to the point of neglecting to tell the reader much about the content of the text itself. He also discusses the perplexing question of authorship and outlines various translation difficulties. The remainder of the book is more accessible, and is organized thematically to help the reader understand the Tao te Ching's key ideas. Hodge writes well, and the book is beautifully designed with more than 100 photographs and illustrations.