The Accident
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- USD 7.99
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- USD 7.99
Descripción editorial
From the author of the New York Times-bestselling and Edgar Award-winning The Expats
As dawn approaches in New York, literary agent Isabel Reed is turning the final pages of a mysterious, anonymous manuscript, racing through the explosive revelations about powerful people, as well as long-hidden secrets about her own past. In Copenhagen, veteran CIA operative Hayden Gray, determined that this sweeping story be buried, is suddenly staring down the barrel of an unexpected gun. And in Zurich, the author himself is hiding in a shadowy expat life, trying to atone for a lifetime’s worth of lies and betrayals with publication of The Accident, while always looking over his shoulder.
Over the course of one long, desperate, increasingly perilous day, these lives collide as the book begins its dangerous march toward publication, toward saving or ruining careers and companies, placing everything at risk—and everyone in mortal peril. The rich cast of characters—in publishing and film, politics and espionage—are all forced to confront the consequences of their ambitions, the schisms between their ideal selves and the people they actually became.
The action rockets around Europe and across America, with an intricate web of duplicities stretching back a quarter-century to a dark winding road in upstate New York, where the shocking truth about the accident itself is buried.
Gripping, sophisticated, layered, and impossible to put down, The Accident proves once again that Chris Pavone is a true master of suspense.
PUBLISHERS WEEKLY
The contents of The Accident, a manuscript submission by an anonymous author, shock New York literary agent Isabel Reed, the heroine of Pavone's high-wire thriller his second novel after 2012's well-received The Expats. Isabel worries that the revelations of this nonfiction work about Charlie Wolfe, a global media baron (think Rupert Murdoch crossed with Charles Foster Kane), pose a real danger. Her fears prove well founded as ruthless, powerful forces do whatever it takes to prevent the book's publication. The cold-blooded murder of someone close to Isabel is but the first of many. The cast of distinctive characters includes Hayden Gray, a Berlin-based "cultural attach " (i.e., spy), who orchestrates the effort to reclaim the manuscript; Camilla Glyndon-Browning, a subsidiary-rights director who tries to shop it to Hollywood; and, of course, the anonymous author himself. Despite the far-fetched conceit, Pavone makes the story credible, and the suspense is palpable.
