Luster
Longlisted for the Women's Prize For Fiction
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- 5,99 €
Beschreibung des Verlags
'A taut, sharp, funny book about being young now. It's brutal – and brilliant.' - Zadie Smith
Longlisted for the Women's Prize For Fiction
Winner of the Dylan Thomas Prize
Shortlisted for the British Book Awards Fiction Debut of the Year
One of Barack Obama’s Favourite Books of the Year
'The most delicious novel I’ve read' – Candice Carty-Williams, author of Queenie
Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office. Is sleeping with all the wrong men. And has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up.
And then she meets Eric, a white middle-aged archivist with a suburban family. Including a wife who has sort-of-agreed to an open marriage, and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family.
Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.
A BEST BOOK OF THE YEAR: Guardian, New York Times, New Yorker, Boston Globe, Literary Hub, Vanity Fair, Los Angeles Times, Glamour, Time, Good Housekeeping, InStyle, NPR, O Magazine, Buzzfeed, Electric Literature, Town & Country, Wired, New Statesman, Vox, Shelf Awareness, i-D, BookPage and more.
PUBLISHERS WEEKLY
Leilani debuts with a moving examination of a young black woman's economic desperation and her relationship to violence. Edie is a 20-something low-level employee at a New York city publishing house. She paints on the side, but not often or well enough to comfortably call herself an artist, and she's infatuated with Eric Walker, a married white man twice her age she met online, with whom she explores his thirst for aggressive domination ("I think I'd like to hit you," he says; she lets him) and is caught breaking the rules of Eric's open marriage (no going to his house). After Edie loses her job, Eric's wife, Rebecca, invites her to stay with them in New Jersey. The arrangement functions partly to vex Eric and partly to support Akila, the Walkers' adopted black daughter. An inevitable betrayal cracks the household's veneer of civility, and suddenly Edie must make new arrangements. She does so in earnest, but not before a horrific scene in which Edie and Akila are victims of police brutality. Edie's ability to navigate the complicated relationships with the Walkers exhibits Leilani's mastery of nuance, and the narration is perceptive, funny, and emotionally charged. Edie's frank, self-possessed voice will keep a firm grip on readers all the way to the bitter end.
