One For My Enemy
The bewitching urban fantasy from the author of The Atlas Six
-
- 8,99 €
Publisher Description
From the internationally bestselling author of The Atlas Six, One For My Enemy is the Sunday Times bestselling Romeo and Juliet retelling of witches, magic and intrigue.
In New York City, two rival witch families fight for the upper hand.
The Antonova sisters are beautiful, cunning and ruthless. But their underground narcotics business is threatened by their long-standing adversaries, the Fedorov brothers.
For twelve years, the families have maintained a fraught stalemate. Then everything is thrown into disarray. Bad blood carries them to the brink of disaster, even as a forbidden romance blossoms between two opposing sides. Yet the heirs still struggle for power, and internal conflicts could rot each family from within. That is, if the enmity between empires doesn’t destroy both sides first . . .
One For My Enemy is an irresistible, romantic tale of ambition, sacrifice and the enduring power of family legacies, set in the criminal underbelly of magical Manhattan.
Readers love One For My Enemy . . .
'after reading this book i'm fully convinced olivie blake is a genius'
'this book was a complete masterpiece'
'update: i haven’t stopped thinking about this a month later'
PUBLISHERS WEEKLY
Feuding magical families take center stage in this fascinating but convoluted fantasy from Blake (The Atlas Six). When Baba Yaga, the matriarch of a gifted family of witches, refuses to marry Koschei the Deathless, the patriarch of the most fearsome magical crime ring in Manhattan, she inadvertently starts a cold war. Baba Yaga raises her first daughter, Marya Antonova, to be a lethal and loyal weapon, while Koschei does the same with his own heir, Dimtri Federov. The tension between the families grows for 12 years until the Federovs make the first move, prompting a deadly response from the Antonovas. But when the neglected youngest adult children from each family, Sasha and Lev, meet and fall in love, their family loyalties are tested as they search for a way to end the cycle of vengeance. The Romeo and Juliet–esque romance is emotional and well done, and the familial relationships carry real weight, but the expansive cast—who all go by multiple nicknames—can be difficult to keep straight, and the characters' many motivations feel underexplored in myriad subplots that go nowhere. Blake's poetic language ("Roman had a spine like lightning, footfall like thunder") occasionally further obscures the action. It's a solid premise, but the execution is lacking.
