A Son at the Front
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- $14.99
Publisher Description
"Wharton has done nothing that equals this."―New York Times Book Review (1923)
“Extraordinarily poignant…Heartrending, tragic, powerful, this is not to be missed.”-Publishers Weekly
Edith Wharton’s A Son at the Front (1923) is a stirring rumination of family, art, and the shortcomings of possession. The story, which is set on the eve of the First World War reflects the author’s own experience living in France when the “Great War” broke out. The delineation of Wartime Paris is one of great power and evocation, yet it is the immensely personal father-son relationship that is at the heart of this tragic novel.
The novel begins in 1914, where John Compton is an American Artist living in Paris; he is successful in his art, yet ill-fated in personal relationships. His only son, George, who was born in France, is living in the United States with John’s ex-wife, Julia. Having recently reconnected with his son, and intent on rebuilding a meaningful relationship, George returns to Paris only to be enlisted into the war. Julia and her second husband, the affluent Anderson Brant, try to pull all their strings to ensure that George is appointed to the safety of a post in a staff office; yet in an act of rebellion, the young man enlists himself for the front lines. Wharton, instead of following the events on the warfront with this novel, leaves her readers in Paris as the devastating effects of those left waiting in wartime unfold. For those only familiar with Wharton’s best-known books, this is a surprising and moving War novel like no other.
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PUBLISHERS WEEKLY
Largely criticized or ignored by a war-weary public when it was originally published in 1922, A Son at the Front is an extraordinarily poignant novel chronicling the effects of WWI on painter John Campton and his only child, George. Because his American parents were visiting France at the time of his birth, George is called to duty in the French army. Campton, his ex-wife, Julia Brant, and her husband, wealthy banker Anderson Brant, immediately butt heads over how to keep George safely at a desk job. Fate intervenes in the person of George himself, who transfers to an infantry regiment--to the horror of Julia and the secret admiration of Brant and Campton. As the war rages on, Campton learns not only the value of his son, but empathy and sensitivity: ``never before, at least not consciously, he thought of himself and the few beings he cared for as part of a greater whole.... But the last four months had shown him man as a defenceless animal.... That was what war did; that was why those who best understood it in all its farthest-reaching abomination willingly gave their lives to put an end to it.'' Wharton movingly portrays those left behind during war--not the wives and children but the devastated parents, who are forced to go on living at the cost of their own flesh and blood. Heartrending, tragic, powerful, this is not to be missed.