Abider
Poems
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- $17.99
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- $17.99
Publisher Description
"Showcasing the poet’s ironic best, it’s a masterly volume about love, not merely abided, but embodied."
-Publishers Weekly Starred Review
Equal parts sad, sexy, and searching, Abider opens with the central lament/brag of its lover-speaker, that she can never truly leave anything—or anyone—behind. The origins of this abidingness are traced in odes and elegies for a rural girlhood beset with jeopardy and scarcity and neglect. But it was also good-wild, conducive to a reckless freedom she can’t help grieving, even as she falls in love at sixteen and marries hard. Meanwhile, other, electric connections are painfully delimited by heteronormative expectations, and her growing dis-ease reveals that she has been trying (and failing) to heal by remaining where she is harmed. She wants—this harrowed, semi-feral girl turned unswerving woman—to stay and go at once, and the tension between her desire for connection and her wish to escape threatens her sense of self and animates these vivid, urgent, tenderhearted poems. Right on time, then, a secret third thing emerges: a final, lush and lucid sonnet sequence that culminates in a promise to abide—first, foremost, always—the self.
PUBLISHERS WEEKLY
In her valiant third outing, Crowe (Lo) chronicles the sunset of a long heterosexual marriage and the dawn of an actualized queer identity. Vivid, image-driven narratives help set the anti-nostalgic tone: "is it any wonder/ I thought I could wring sense from/ language, collapse the distance between/ word and thing, the way a baby says/ milk then tastes it?" Witty elegies ("I'm Tired of Writing About My Childhood"; "This One's Going to Be About Birds") satirize metaphor, but the book's bright side zings with comic colloquialisms ("an embarrassment of dicks"), buoyant allusions ("Whose Woods I Am I Think I Know"), and end rhyme ("How we came away burning./ How we stretched in the sand./ How the beak of the tern/ dipped the sea like a hand"), heralding the speaker's turn toward sensual delight. "You Ask Me Why I Still Haven't Ordered a New Vibrator" answers the title question with a question, "What if half of pleasure's/ the greased elbow of the thing—or love?" Showcasing the poet's ironic best, it's a masterly volume about love, not merely abided, but embodied.