Babbitt (with an introduction by Hugh Walpole)
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- $10.99
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- $10.99
Publisher Description
First published in 1922, “Babbitt” is Sinclair Lewis’ satire of American culture in the early part of the 20th century. In the years following World War I Americans began to idealize the middle-class lifestyle as a symbol of success, one crucial to the American identity. The successful self-made family man living in a Midwestern town began to symbolize the “American Dream”. The titular character of this novel, George F. Babbitt, is one such man. Babbitt is a successful middle-aged partner in a real estate firm who is married with three kids living in the fictional Midwestern town of Zenith. While having achieved the “American Dream” Babbitt gradually begins to feel a lack of fulfillment with how his life has turned out. He is a man unaware of the contemporary social and economic conditions that exist outside his own small circle. This lack of awareness begins to become increasingly apparent to him and a feeling of consternation sets in. Controversial upon its first publication for its criticism of what many Americans believed to be the ideal life, “Babbitt” is at once the tale of a middle-life crisis and a satirical critique of the vacuity of middle-class American life. This edition includes an introduction by Hugh Walpole and a biographical afterword.
PUBLISHERS WEEKLY
Lewis's tale of middle-class frustration, stress and success in the 1920s is brought to life by the L.A. Theatre Works' 1987 full cast production featuring more than 30 actors, including Ed Asner (as Babbitt), Judge Reinhold, Ted Danson, Richard Dreyfuss, Helen Hunt and John Lithgow. With a deep and raspy voice and with great projection, Asner delivers a believable and amusing performance that securely anchors the entire production. Whether bullying his family or spouting politics with his friends at the club, Asner keeps the consistency of the self-aggrandizing character solid throughout. Jazz music segues well between scenes, though without any additional production sound beyond voices, it can at times feel out of place. While the full cast proves enjoyable in their individual parts, many take turns narrating the exposition throughout the production. At times, this is executed well, but sometimes it feels as if the director is just trying to give everyone more voice time.