Bad News
Last Journalists in a Dictatorship
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- $15.99
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- $15.99
Publisher Description
Hearing a blast, journalist Anjan Sundaram headed uphill towards the sound. Grenade explosions are not entirely unusual in the city of Kigali; dissidents throw them in public areas to try and destabilise the government and, since moving to Rwanda, he had observed an increasing number of them.
What was unusual about this one, however, was that when Sundaram arrived, it was as though nothing had happened. Traffic circulated as normal, there was no debris on the streets and the policeman on duty denied any event whatsoever. This was evidence of a clean-up, a cloaking of the discontent in Rwanda and a desire to silence the media in a country most of whose citizens were without internet. This was the first of many ominous events.
Bad News is the extraordinary account of the battle for free speech in modern-day Rwanda. Following not only those journalists who stayed, despite fearing torture or even death from a ruthless government, but also those reporting from exile, it is the story of papers being shut down, of lies told to please foreign delegates, of the unshakeable loyalty that can be bred by terror, of history being retold, of constant surveillance, of corrupted elections and of great courage.
It tells the true narrative of Rwandan society today and, in the face of powerful forces, of the fight to make explosions heard.
PUBLISHERS WEEKLY
Journalist Sundaram (Stringer) takes an affecting, if draining, look at conditions in Rwanda from April 2009 to December 2013. Focusing on his experiences with a program that trained Rwandans as journalists, he describes his relationships with his students and his struggle, as President Kagame's government grew more repressive, to find new ones. The book opens with Sundaram investigating the sound of an explosion, only to be informed by a police officer that he imagined it. This moment of state-mandated disconnection between reality and perception is just the first of many the book explores, at times powerfully. The cumulative effect, however, is exhausting. Students come and go from Sundaram's class, but there are a few that he clearly admires and considers friends. Gibson, a student of particular talent, struggles after being placed under government surveillance. Moses, another such student, is a survivor of the genocide, and one of the most poignant moments occurs when Sundaram accompanies Moses to a genocide memorial. These relationships add a measure of warmth to a book that comes to feel endlessly bleak. Despite the wearying grimness, this is an important book for students of political science, modern history, and journalism.
