Black Milk
A beautifully written memoir on motherhood and writing from the bestselling author
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- $15.99
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- $15.99
Publisher Description
Black Milk is the affecting and beautifully written memoir on motherhood and writing by Turkey's bestselling female writer Elif Shafak, author of Honour, The Gaze and The Bastard of Istanbul which was long-listed for the Orange prize.
Postpartum depression affects millions of new mothers every year, and- like most of its victims- Elif Shafak never expected to be one of them.
But after the birth of her first child in 2006, the internationally bestselling Turkish author remembers how "for the first time my adult life . . . words wouldn't speak to me".
As her despair finally eased, Shafak sought to resuscitate her writing life by chronicling her own experiences.
In her intimate memoir, she reveals how she struggled to overcome her depression and how literature provided the salvation she so desperately needed.
'An intimate, affecting memoir . . . Her passion for literature is contagious, and her struggle with postpartum depression and writer's block reinforces how carefully all of us must tread. Beautifully rendered, Shafak's Black Milk is an epic poem to women everywhere' Colleen Mondor
*** ELIF SHAFAK'S NEW NOVEL, THERE ARE RIVERS IN THE SKY, IS AVAILABLE NOW ***
PUBLISHERS WEEKLY
Feeling conflicted about embarking on motherhood, Turkish novelist Shafak (The Forty Rules of Love) chronicles the cruel, crazy trajectory that took her from feminist single novelist to married nursing mother of two. An accomplished writer by her mid-30s, Shafak faced the eternal dilemma of most enlightened women: can she pursue her cherished work, be true to herself, and also be a selfless caregiver to children? An interview with a legendary Turkish novelist, Adalet Agaoglu, challenged Shafak to face her irresolution, resulting in a virtual civil war amid the discordant voices in her own conscience the pint-sized Thumbelinas, she calls them, her own "mini harem" which each try to dictate literally what she ought to do: e.g., Little Miss Practical organizes the hiring of her nanny, secretary, and assistant; Dame Dervish attends to her spiritual self; Miss Ambitious Chekhovian tells her to forget about babies, write better novels, and develop her skill; while Miss Highbrowed Cynic warns her that, having children or not, she will always regret the path she didn't take. Shafak gets the modern woman's despair, and especially enlightening are her renderings of the lives of (mostly English-language) women writers she admires: Virginia Woolf, Sylvia Plath, George Eliot, Zelda Fitzgerald. Shafak's stint as a resident at Mount Holyoke College and elsewhere has transformed her into a truly Western feminist voice within a region of engrained patriarchy: she is clear-eyed, savvy, unrepentant.
