We first met Flavia Albia, Falco's feisty adopted daughter, in The Ides of April.
Albia is a remarkable woman in what is very much a man's world: young, widowed and fiercely independent, she lives alone on the Aventine Hill in Rome and makes a good living as a hired investigator. An outsider in more ways than one, Albia has unique insight into life in ancient Rome, and she puts it to good use going places no man could go, and asking questions no man could ask.
Even as the dust settles from her last case, Albia finds herself once again drawn into a web of lies and intrigue. Two mysterious deaths at a local villa may be murder and, as the household slaves are implicated, Albia is once again forced to involve herself. Her fight is not just for truth and justice, however; this time, she's also battling for the very lives of people who can't fight for themselves.
Enemies at Home presents Ancient Rome as only Lindsey Davis can, offering wit, intrigue, action and the further adventures of a brilliant new heroine who promises to be as celebrated as Marcus Didius Falco and Helena Justina, her fictional predecessors.
Set in Rome in 89 C.E., Davis's sequel to 2013's The Ides of April boasts a strong female lead. Flavia Albia, the adopted daughter of Marcus Didius Falco, who starred in his own 20-book series, carries on the family tradition as an informer, the ancient Roman equivalent of a private detective. Manlius Faustus, a government official, asks Flavia to find out who strangled Valerius Aviola and Mucia Lucilla, a newlywed couple, in their apartment on the Esquiline Hill. The investigating officer has taken the easy way out by accusing some of the household's slaves of the crime, but Faustus has his doubts. Despite violating a number of her cardinal rules (e.g., "Never take on clients who cannot pay you"), Flavia accepts the case. Diamond Dagger Award winner Davis vividly portrays the setting, "a poisoned city, where a paranoid emperor had caused often-lethal mistrust," but she plays less than fair in her clues to the killer's identity.