Everybody Knows Everybody Knows

Everybody Knows

'Terrifying and exhilarating.' JAMES PATTERSON

    • 4.1 • 8 Ratings
    • $10.99
    • $10.99

Publisher Description

**WINNER OF THE CWA IAN FLEMING STEEL DAGGER**

A Times, Guardian and Crimereads Book of the Year

'Cinematic and insightful. Everybody Knows is a tour de force.' GUARDIAN
'A heart-racing journey of danger and redemption.' DAILY MAIL
'I doubt there will be a better American crime novel this year.' DAILYTELEGRAPH
'Dark and thrilling.' GRAZIA
In Hollywood, nobody talks. But everybody whispers.

Welcome to Mae Pruett's LA. A 'black-bag' publicist at one of Hollywood's most powerful crisis PR firms, Mae's job isn't to get good news out, it's to keep the bad news in and contain the scandals. But just as she starts to question her job and life choices, her boss is gunned down in front of the Beverly Hills Hotel, and everything changes.

Investigating with the help of an ex-boyfriend, Mae dives headlong into a neon joyride through the jungle of contemporary Hollywood. Pitted against the twisted system she's worked so hard to perpetuate, she's desperately fighting for redemption, and her life.
Readers are gripped by Everybody Knows:
***** 'The year's best detective novel. . . a fresh take with a compelling heroine worth rooting for.'

***** 'Powerful and brutal. I couldn't put it down.'

***** 'A wonderful yet wretched exploration of human nature, you will struggle to put this book down or ever forget it'

***** 'Addictive. . .an atmospheric neo-noir with crackling dialogue and finely drawn characters.'

***** 'A superb story with a genuine sense of moral outrage.'

GENRE
Crime & Thrillers
RELEASED
2023
28 July
LANGUAGE
EN
English
LENGTH
320
Pages
PUBLISHER
Faber & Faber
SELLER
Faber and Faber Limited
SIZE
1.7
MB

Customer Reviews

rhitc ,

Nobody talks, but everybody whispers 

The author is an American television writer and producer turned novelist.

The setting is present day LA. Mae is an up and coming star at a public relations agency specialising in neutralising or at least mitigating the misadventures of celebrity or political clients, and extremely rich ones who prefer to stay anonymous. Her agency and others are part of web of lawyers and security firms that compromise what she calls “The Beast,” the venal power structure that holds everything together.

Chris is a fortyish ex-cop who works as a fixer for one of the aforementioned lawyers. He and Mae team up after her boss gets gunned down outside the Beverly Hills Hotel. They uncover more dastardliness under every stone they turn over. The body count rises. Trigger warning: child exploitation. Everything builds to a somewhat ambiguous conclusion that fits the narrative.

The style owes much to James Elroy, with black humour aplenty, and some great one liners, but is more reader friendly IMO. Mr Harper earned his chops writing for the small screen. It shows. I would be surprised if this wasn’t on Netflix (or similar) in the not too distant future.

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