Havisham
-
- $10.99
-
- $10.99
Publisher Description
There was a delicate tracery of gold foil on the back of the dress. How strange that such a consummately made garment should be worn for this one day only. But, as every girl growing up understood, her wedding day was the most significant she would know: a woman's crowning glory.
Catherine Havisham was born into privilege. Handsome, imperious, she is the daughter of a wealthy brewer, and lives in luxury in Satis House. But she is never far from the smell of hops and the arresting letters on the brewhouse wall - HAVISHAM. A reminder of all she owes to the family name and the family business.
Sent by her father to stay with the Chadwycks, Catherine discovers literature, music and masquerades - elegant pastimes to remove the taint of new money. But for all her growing sophistication Catherine is anything but worldly, and when a charismatic stranger pays her attention, everything - her heart, her future, the very Havisham name - is vulnerable.
It is a masterly tribute to one of Dickens's most celebrated and iconic characters
PUBLISHERS WEEKLY
This stylish but dour "prelude" to Charles Dickens's classic Great Expectations comes from Glaswegian dramatist and author Frame (The Lantern Bearers). Catherine Havisham grows up in privilege and leisure at the imposing Satis House, courtesy of her affluent father, Joseph, who runs the most prosperous brewery in North Kent and ships her off to the aristocratic Chadwyck family to polish her social graces. Joseph, a widower, sparks his teenage daughter's resentment by disclosing he has remarried, though his second wife has since died, and Catherine also comes to loathe her ne'er-do-well half-brother, Arthur, after he begins living with them. She falls in love with the dashing racetrack gambler Charles Compeyson, and Joseph dies, leaving her the brewery. She becomes engaged to Charles, who wants to manage the Havisham brewery. However, Charles jilts his would-be bride, and Catherine's life descends into seclusion and a slow madness; she wears only her wedding dress while living in the decaying mansion. After adopting a young girl, Estella, Catherine ages into the cynical spinster depicted in Great Expectations. Frame offers a convincing recreation of the iconic Dickens character, but his tale suffers from centering on such an unappealing protagonist.
