Hell To Pay
From Co-Creator of Hit HBO Show ‘We Own This City’
-
- $12.99
-
- $12.99
Publisher Description
A fatal shooting that strikes too close to home leaves PI Derek Strange determined to find the killer - whatever the cost. From one of the award-winning writers of THE WIRE.
Set in darkest, downtown Washington, Hell to Pay begins with Quinn and Strange dealing with the usual detritus of the world's most violent city - a bent cop and a missing teenage-girl-turned-hooker - but then a senseless death on a sunny afternoon shakes even Derek Strange's existence.
A victim shot down by bullets meant for another; a tragic accident that strikes just too close to home. Strange's grief is all-consuming and he swears to track down and destroy the killers - ghetto style. But as he throws himself deeper and deeper into the hunt, he has to ask questions of himself and his world that he would rather not.
PUBLISHERS WEEKLY
You know you're in Pelecanos country when the music begins early a trio of street thugs on their way to a dogfight listen to "the new DMX joint on PGC, turned up loud" and continues to throb all the way through this second book in the author's hardboiled and heartbreaking series centered around Washington, D.C., private detective Derek Strange. A black man in his 50s, Strange first notices these particular thugs when they hang out around a Pee Wee football team he is coaching. Their appearance comes to seem more sinister in retrospect, when Strange's nine-year-old star quarterback is shot and killed at an ice cream stand. While Strange hunts for the men who shot the boy, his partner, Terry Quinn, an Irish Catholic ex-cop, gets pulled into an attempt to save a young runaway turned prostitute from a big-time pimp and falls for one of the tough women organizing the rescue. Meanwhile, Strange goes through a rocky period with his longtime lover (and secretary) Janine, forced to consider what his massage-parlor habit is doing to their relationship. The novel's turf the nontourist parts of Washington, D.C., neighborhoods where so many young black children die that selling T-shirts with their pictures on them at their wakes and funerals has become a cottage industry was staked out successfully in Pelecanos's earlier books about the sons and grandsons of Greek immigrants and now is extended to focus chiefly on the District's black majority. It is Pelecanos's intimate understanding of this volatile D.C. and the complexity of Strange a rich, sometimes frustrating but always warmly human character that should keep this series fresh for a long time to come.