Here Goes Nothing
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4.0 • 21 Ratings
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- $14.99
Publisher Description
'Nobody was ever thinking about me. Now that I’m dead, I dwell on this kind of thing a lot.'
Angus Mooney is in a dark place: the afterlife. His days are spent in aching embarrassment; god, religion, the supernatural – he was wrong about everything. He longs for his audacious, fiery wife, Gracie, but can only watch from the other side as she is seduced by his killer, who has stepped seamlessly into Mooney’s shoes.
Meanwhile, life after death isn’t all it’s cracked up to be. Another pandemic is sweeping the globe; Mooney’s new home is filling up fast, resources are scarce, infrastructure is crumbling, and he has to share an increasingly cramped existence with a group of people still traumatised by their own deaths. And although he should know better, he remains in the grip of the same fear as when he was alive: the opinions of others.
Narrated with the ironic hindsight afforded by life beyond the mortal plane, Here Goes Nothing is a razor-sharp, hilariously entertaining, insightful and moving meditation on our 21st-century world, and the intricate relationship between love and death.
PUBLISHERS WEEKLY
The clever latest from Toltz (Quicksand) follows a hapless husband who discovers that the afterlife is a bewildering, bureaucratic bore. Angus Mooney excels only at petty crime, laziness, and loving his pregnant wife, Gracie, a quirky wedding officiant. Despite their marital bliss, the couple is perennially short on cash, so when a stranger dying of brain disease offers to make Angus and Gracie his heirs in exchange for letting him die in their house, they agree. Shortly after the stranger moves in, he murders Angus, sending him to a banal afterlife, where he works at an umbrella factory and his fellow citizens complain of housing shortages and an ill-defined ongoing war. Finding death too much like life and missing Gracie, Angus becomes addicted to a machine that allows him to haunt his old home. He observes the dying man trying to seduce Gracie, who remains ignorant of how Angus really died, and he learns about the spread of a lethal virus that threatens to overwhelm the afterlife. Toltz's wit and black humor transform a morbid premise into a rollicking ride. The result is an audaciously creative imagining of what awaits after death.
