Inspired by a real event of the murder of a woman in rural Mexico, Hurricane Season takes place in a world filled with superstitions and violence—violence that poisons everything around.
The Witch is dead. After a group of children playing in the murky waters of the irrigation canals discover her decomposing corpse, the village is rife with rumours and suspicions about the murder of this feared and respected woman, who had carried out the community’s ritual shamanic customs. In dazzling, visceral language, Melchor extracts humanity from otherwise irredeemably brutal characters, and spins a terrifying and heartrending tale of dark suspense in a Mexican village that seems damned.
Fernanda Melchor was born in 1982 in Veracruz, Mexico. She is widely recognised as one of the most exciting new voices of Mexican literature. In 2018, she won the PEN Mexico Award for Literary and Journalistic Excellence and in 2019 the German Anna-Seghers-Preis and the International Literature Award for Hurricane Season.
Sophie Hughes has translated works by a number of Spanish-language writers, including Enrique Vila-Matas, and Alia Trabucco Zerán.
‘Melchor wields a sentence like a saber. She never flinches in the bold, precise strokes of Hurricane Season. In prose as precise and breathtaking as it is unsettling, Melchor has crafted an unprecedented novel about femicide in Mexico and how poverty and extreme power imbalances lead to violence everywhere.’ Idra Novey, author of Those Who Knew
‘Fernanda Melchor has a powerful voice, and by powerful I mean unsparing, devastating, the voice of someone who writes with rage, and has the skill to pull it off.’ Samanta Schweblin
Melchor's English-language debut is a furious vortex of voices that swirl around a murder in a provincial Mexican town. The story opens with a group of boys discovering the body of the Witch in a canal. The Witch is a local legend: she provides the women of the town with cures and spells, while for the men she hosts wild, orgiastic parties at her house. Each chapter is a single, cascading paragraph and follows a different townsperson. First is Yesenia, a young woman who despises her addict cousin, Luismi, and one day sees him carrying the Witch from her home with another boy, Brando. Next is Munra, Luismi's stepfather, who was also present at the Witch's house; then Norma, a girl who flees her abusive stepfather and ends up briefly settling with Luismi; and lastly Brando, who finally reveals the details of the Witch's death. The murder mystery (complete with a mythical locked room in the Witch's house) is simply a springboard for Melchor to burrow into her characters' heads: their resentments, secrets, and hidden and not-so-hidden desires. Forceful, frenzied, violent, and uncompromising, Melchor's depiction of a town ogling its own destruction is a powder keg that ignites on the first page and sustains its intense, explosive heat until its final sentence.