Happy Trails to You
Stories
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- $11.99
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- $11.99
Publisher Description
When Julie Hecht's stories first appeared in The New Yorker, her unnamed photographer-narrator became an instant literary icon. Chronicles of her strategies for surviving civilization's decline -- herbal remedies, macrobiotics, a bit of Xanax -- have established her as one of the most captivating and eagerly read voices in modern literature.
In this new collection of stories, Julie Hecht reclaims the darkly funny, existential territory for which she is known: "People say 'Good morning,' but don't believe them. It's just something to say." The uniquely eccentric narrator reappears in Happy Trails to You and recounts her perplexed engagements with our society and the larger world -- whether she's attempting to withdraw money from a bank machine, worrying about Paul McCartney, or seeking a nonexistent place of calm on Nantucket, where nail guns and chain saws have replaced the sounds of birds singing.
Appalled by life in our times, the narrator recounts innumerable artifacts from a now vanished America (civility, idealism, Elvis Presley, well-made appliances). She is also exquisitely attuned to the absurdities of our culture; her acute observations illuminate every subject, from the dangers of microwave ovens to the disappearing ozone layer. With deadpan wit, the author reveals the truths of a new century. Happy Trails to You is a radically distinctive work of American fiction.
PUBLISHERS WEEKLY
Returning from the story collection Do the Windows Open? (1996) and novel, The Unprofessionals (2003), Hecht's married, childless photographer is still stuck in her mid-40s. Diagnosed with an anxiety disorder and counting the Nantucket days until she can see her psychiatrist again, she quietly frets the summer away over the course of seven expertly heartbreaking tales. The narrator has mastered her issues, but only to the point that her horror of other people's meat eating, of their bodily flaws and of almost everything else about them surfaces in only the mildest passive-aggressive forms; what goes on beneath that surface is what comprises the book. "Over There" chronicles two visits to an elderly hard-of-hearing neighbor: its tacit comparison of the narrator's ways of accommodating her illness with her neighbor's accommodations of old age is exquisite. "Being and Nothingness" records the narrator's use of an Emerson biography and of taking the flag down as an antidote to the Clinton-Lewinsky scandal. Elsewhere, she intervenes in a gay actor-waiter acquaintance's health regimen, and instructs her intractable Jamaican "cleaner helper" Norma on the dangers of radiation and on how to dress for her job. A life that consists entirely of neurotic avoidance produces a peculiar pathos, and Hecht nails it unfailingly.
