Jelly Roll Blues
Censored Songs and Hidden Histories
-
- $31.99
Publisher Description
The New York Times bestselling author of Dylan Goes Electric! follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz.
In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city’s famous bordellos and singing rough blues in Gulf Coast honky-tonks. He recorded an oral history of that time in 1938, but the most distinctive songs were hidden away for over fifty years, because the language and themes were as wild and raunchy as anything in gangsta rap.
Those songs inspired Wald to explore how much other history had been locked away and censored, and this book is the result of that quest. Full of previously unpublished lyrics and stories, it paints a new and surprising picture of the dawn of American popular music, when jazz and blues were still the private, after-hours music of the Black "sporting world." It gives new insight into familiar figures like Buddy Bolden and Louis Armstrong, and introduces forgotten characters like Ready Money, the New Orleans sex worker and pickpocket who ended up owning one of the largest Black hotels on the West Coast.
Revelatory and fascinating, these songs and stories provide an alternate view of Black culture at the turn of the twentieth century, when a new generation was shaping lives their parents could not have imagined and art that transformed popular culture around the world—the birth of a joyous, angry, desperate, loving, and ferociously funny tradition that resurfaced in hip-hop and continues to inspire young artists in a new millennium.
PUBLISHERS WEEKLY
A cache of songs recorded by jazz great Jelly Roll Morton at the Library of Congress in 1938—which were shelved for more than 60 years due to their "coarse language"—provides a revealing window into the history of American popular music in the riveting latest from Wald (How the Beatles Destroyed Rock 'n' Roll). In close readings of the songs, which were released in the early 1990s, Wald examines how the "graphic" language in "Pallet on the Floor" reflected the lack of squeamishness about sex in early blues and jazz lyrics; how "Mamie's Blues," which borrowed from a song Morton heard from jazz pianist Mamie Desdunes, reveals the often-invisible influence of women on the genres; and how the extended narrative in Morton's 59-verse "Murder Ballad"—which pulled from Southern murder ballads but was mostly Morton's invention—highlights the improvisatory nature of jazz storytelling and its value in recording the histories of communities whose "ancestors were ignored or disparaged in written records." The author stitches together a dizzying amount of detail on Morton and other blues and jazz musicians, though he's careful to acknowledge the missing "voices that have been censored and suppressed" due to preservation issues, discrimination, and omission. It's a riveting deep dive into two great American art forms.