Lady Director
Adventures in Hollywood, Television and Beyond
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- $14.99
Publisher Description
An intimate account of a seminal filmmaker’s development—as a creator and as a woman—both in art and in life.
"Joyce Chopra, what a gift of an extraordinary filmmaker you are, and one of our great pioneers who forged a very difficult path. And for female filmmakers everywhere, we are so blessed to have you as a storyteller to forge the way to make it easier for others."—Laura Dern, actor
Hailed by the New Yorker as “a crucial forebear of generations,” award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director—she couldn’t name a single woman in that role. But with her desire fueled by a stay in Paris during the heady beginnings of the French New Wave, she was determined to find a way.
Chopra got her start making documentary films with the legendary D.A. Pennebaker. From her ground-breaking autobiographical short, Joyce at 34 (which was acquired for NY MoMA’S permanent collection), to her rousingly successful first feature, Smooth Talk (winner of the Best Director and Grand Jury Prize at Sundance in 1985), to a series of increasingly cruel moves by Hollywood producers unwilling to accept a woman in the director’s role, Chopra’s career trajectory was never easy or straightforward.
In this engaging, candid memoir, Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her. She shares stories of her bruising encounters with Harvey Weinstein and Sydney Pollack, her experience directing Diane Keaton, Treat Williams, and a host of other actors, as well as her deep friendships with Gene Wilder, Arthur Miller, and Laura Dern.
Along with the successes and failures of her career, she provides an intimate view of a woman’s struggle to balance the responsibilities and rewards of motherhood and marriage with a steadfast commitment to personal creative achievement. During a career spanning six decades, Joyce Chopra has worked through monumental shifts in her craft and in the culture at large, and the span of her life story offers a view into the implacable momentum of the push for all womens’ liberation.
"Joyce Chopra has written a devastatingly frank, candid, and unsparing memoir of her life as a film director—a 'woman director' in a field notoriously dominated by men. The reader is astonished on her behalf, at times infuriated, moved to laughter, and then to tears. Lady Director: Adventures in Hollywood, Television, and Beyond is one of its kind—highly recommended." —Joyce Carol Oates, author of "Where Are You Going, Where Have You Been?"
PUBLISHERS WEEKLY
Documentarian Chopra offers an insider's perspective and settles some scores in this shrewd memoir of her life in the film and TV industries. Born in 1936, the Brooklyn native first opened a jazz café in Cambridge, Mass. (Joan Baez played there), but pivoted to pursue moviemaking, returning to New York and an apprenticeship editing Primary, a documentary following JFK. Her amiable marriage to an MIT engineer collapsed after an affair with novelist (and subsequent husband) Tom Cole. Her later pregnancy was the basis of the autobiographical film Joyce at 34, and her film Smooth Talk, starring Laura Dern, was adapted by Cole from a Joyce Carol Oates short story. Chopra was courted by Stephen Spielberg and James Brooks, but conflicts with producers Sydney Pollack and, later, Diane Keaton, along with negative media coverage (which she disputes), made her and Cole "overnight pariahs in Hollywood." She turned to TV, but found sexism thwarted her (on Law & Order, she felt like "a female intruder"). Despite it all, she writes she "achieved her dream," applauding the #MeToo movement (Weinstein was her "ceaseless bully"). Brisk and unsentimental, Chopra writes with fierce intent to set the record straight. Much like Anne Theroux's The Year of the End, this is a revealing and retributive glimpse behind the curtain.