Leonardo's Swans
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4.0 • 2 Ratings
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- $15.99
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- $15.99
Publisher Description
Sisters. Rivals. And the love of one man.
Isabella and Beatrice d'Este are as different as night and day. Wordly and ambitious, Isabella's beauty and intellect are legendary across the courts of Europe, while her younger sister, a tomboy, prefers horses and the hunt. When Isabella is betrothed to the Marquis of Mantua, all her ambitions seem to come true -- until Beatrice marries Ludovico, the powerful Duke of Milan. Suddenly, Isabella finds herself drawn to her sister's husband, a man as charismatic as he is dangerous. Once close, the sisters are now fierce rivals, for Ludovico's affections but also for the larger prize, to be immortalized by Milan's court painter, Leonardo da Vinci. Da Vinci's glittering genius is at its zenith, with such masterpieces as The Last Supper and the Mona Lisa, but he constantly struggles not to let his noble patrons' incessant demands compromise his own artistic vision.
Meanwhile, the black clouds of war are looming on the horizon. As Ludovico's gamble for power in Western Europe begins to fall apart, the sisters must choose -- between passion and family, loyalty and survival.
PUBLISHERS WEEKLY
Sexual and political intrigue drive Essex's intricate novel (after previous historicals Kleopatra and Pharaoh) starring 15th-century Italian sisters Isabella and Beatrice d'Este. Isabella, the elder, more accomplished sister, is engaged to handsome Francesco Gonzaga, a minor aristocrat, while Beatrice is intended for the future duke of Milan, Ludovico Sforza, who's powerful, unscrupulous and already in possession of a pregnant mistress. It seems, at first, that Isabella will enjoy domesticity with Francesco, while unhappy Beatrice is useful to her husband only as a vehicle for breeding sons a situation further complicated by Ludovico's infatuation with the more beautiful Isabella. While Isabella encourages her brother-in-law's overtures, she's actually desperate to sit for his resident artist, Leonardo da Vinci. The sisters' sexual rivalry provides the main fodder for the novel's first half; the less compelling remainder is taken up with the political complexities of Renaissance Italy, as the rulers of France scheme to invade Italy, Francesco schemes against Ludovico, and Ludovico schemes against everyone. Essex's canvas is too finely detailed to adequately represent the epic dramas of warring Italian princes, and occasional anachronisms in diction are distracting. But the stories of Isabella and Beatrice d'Este along with the occasional investigations of Leonardo's artworks, methods and personality are always engrossing.
