More Than I Love My Life
The International Booker Prize-longlisted novel
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4.5 • 2 Ratings
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- $15.99
Publisher Description
An epic, deeply moving novel about the power of love and loving with courage - from the Man Booker International Prize-winning author of A Horse Walks into a Bar
On a kibbutz in Israel in 2008, Gili is celebrating the ninetieth birthday of her grandmother Vera, the adored matriarch of a sprawling and tight-knit family. But festivities are interrupted by the arrival of Nina: the iron-willed daughter who rejected Vera's care; and the absent mother who abandoned Gili when she was still a baby.
Nina's return to the family after years of silence precipitates an epic journey from Israel to the desolate island of Goli Otok, formerly part of Yugoslavia. It was here, five decades earlier, that Vera was held and tortured as a political prisoner. And it is here that the three women will finally come to terms with the terrible moral dilemma that Vera faced, and that permanently altered the course of their lives.
More Than I Love My Life is a sweeping story about the power of love and loving with courage. A novel driven by faith in humanity even in our darkest moments, it asks us to confront our deepest held beliefs about a woman's duty to herself and to her children.
'Grossman's work resonates with emotional intelligence, humanity and truth' Irish Times
PUBLISHERS WEEKLY
Grossman's tender and disquieting latest (after A Horse Walks into a Bar) looks at three generations of women whose bonds are fissured by histories of restlessness and war. Gili, an aspiring filmmaker, has never forgiven her mother, Nina, for leaving her and her father when Gili was a toddler. Nina was raised in Yugoslavia and hasn't recovered from her own sense of abandonment after her mother, Vera, an anti-Nazi partisan, was held in a prison camp for refusing to renounce communism. Vera, who's both Gili's biological grandmother and the stepmother of Gili's father, Rafael, is the family's center. When Nina visits for Vera's 90th birthday party, she asks filmmaker Rafael to make a documentary for the family about their relationship; ultimately, Gili, who once worked as Rafael's assistant, insists on having the final edit both out of a desire for creative fulfillment and to make sure they get the project right. The four talk, film, and revisit the dilapidated island prison, and their relationships shift as they grapple with Vera's and Nina's past. Grossman shines a light on the victims of the violent split between Tito and Stalin, as well as on the stories people tell themselves to explain, survive, and forgive. And in Vera, who is nimble and sharp at 90, endlessly self-mythologizing, and possessed of a broken Hebrew that Cohen renders into idiosyncratic broken English, the author has created an unforgettable character. This adds another remarkable achievement to Grossman's long list.
