Never Remember
Searching for Stalin's Gulags in Putin's Russia
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- $29.99
Publisher Description
A haunting literary and visual journey deep into Russia’s past—and present
The Gulag was a monstrous network of labor camps that held and killed millions of prisoners from the 1930s to the 1950s. More than half a century after the end of Stalinist terror, the geography of the Gulag has been barely sketched and the number of its victims remains unknown. Has the Gulag been forgotten?
Writer Masha Gessen and photographer Misha Friedman set out across Russia in search of the memory of the Gulag. They journey from Moscow to Sandarmokh, a forested site of mass executions during Stalin's Great Terror; to the only Gulag camp turned into a museum, outside of the city of Perm in the Urals; and to Kolyma, where prisoners worked in deadly mines in the remote reaches of the Far East. They find that in Vladimir Putin’s Russia, where Stalin is remembered as a great leader, Soviet terror has not been forgotten: it was never remembered in the first place.
“A short, haunting and beautifully written book.” —Wall Street Journal
PUBLISHERS WEEKLY
Drawing on years of interviews, research, and travel, Gessen (The Future Is History) and photographer Friedman reflect on complex Russian attitudes to the legacy of the gulag in this vital collection of essays and photographs. Established in 1930, the gulag was a vast, brutal network of prison camps kept secret from the general population, in which millions of Soviet citizens were imprisoned or killed. Touching on the various populations of the camps, from the victims of Stalin's terror to later anti-Soviet dissidents, Gessen's brief essays focus on contemporary physical markers of the gulag the symbolic manifestations of how people choose to remember, or not remember, what happened. Many of the people she writes about are those who are invested in maintaining the known sites of camps: for example, Veniamin Iofe and Irina Flige, two members of the human rights organization Memorial, who discovered a mass grave in Sandormokh and worked with government agencies and other activists to eventually erect a series of monuments. Friedman's moody, panoramic black-and-white photos of the memorial sites convey a narrative that's fragmented, blurry, and ultimately incomplete, perfectly underscoring Gessen's text. The combination is a powerful meditation on contemporary Russia as seen through its relationship to the past.
