Now Is Not the Time to Panic
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4.4 • 8 Ratings
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- $12.99
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- $12.99
Publisher Description
Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another sad summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who is as lonely and awkward as she is.
As romantic and creative sparks begin to fly, Frankie and Zeke make an unsigned poster that becomes unforgettable to anyone who sees it. Copies of their work are everywhere in town, and rumours start to fly about who might be behind the ubiquitous posters: Satanists? Kidnappers? Soon, the mystery has dangerous repercussions that spread further afield, and the art that brought Frankie and Zeke together now threatens to tear them apart.
Twenty years later, Frances Eleanor Budge—famous author, mother to a wonderful daughter, wife to a loving husband—gets a call that threatens to upend everything: a journalist asks if Frances might know something about the Coalfield Panic of 1996. Could Frances’ past destroy the life she has so carefully built?
A bold coming-of-age story, written with Kevin Wilson’s trademark wit and blazing prose, Now Is Not the Time to Panic is a nuanced exploration of young love, identity and the power of art. It’s also about the secrets that haunt us—and, ultimately, what the truth will set free.
Kevin Wilson is the author of the New York Times bestseller Nothing to See Here, as well as the novels The Family Fang and Perfect Little World, and the short-story collections Tunneling to the Center of the Earth and Baby You’re Gonna Be Mine. He lives with his family in Sewanee, Tennessee, where he is an associate professor in the English department at Sewanee: The University of the South.
‘Good Lord, I can’t believe how good this book is…Wilson writes with such a light touch that it seems fairly impossible for the book to have a big emotional payoff. But there is, and that’s the brilliance of the novel—that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you don’t even realize that you’ve suddenly caught fire.’ New York Times on Nothing to See Here
PUBLISHERS WEEKLY
Wilson (Nothing to See Here) spins a delightful story of two aspiring artists in small-town Tennessee. It's 1996 when Frankie Bulger, an outcast who dreams of becoming a writer, meets Zeke, also 16, who is new to town. Together they make a poster with the cryptic line "The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us." Thrilled at their creation, Frankie and Zeke make hundreds of copies of it on a photocopier stolen by Frankie's triplet brothers, then post them around town. Copycats begin doing the same, and before long, local and national newspapers report on the panic caused by the posters, fashion brands reproduce the slogan on T-shirts, and tourists arrive in droves. Frankie and Zeke keep their involvement a secret until 22 years later, when a journalist finds out Frankie's role. Confronted with the possibility of her secret coming out, Frankie goes on a quest to come clean with her family and reconnect with old friends. Wilson ably captures Frankie and her peers' adolescent confusion and the creative power of like-minded teens, and his coming-of-age story is ripe with wisdom about what art means in the modern age. It adds up to a surprisingly touching time capsule of youth in the '90s.
