On a Dark Night I Left My Silent House
A Novel
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- $16.99
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- $16.99
Publisher Description
On a Dark Night I Left My Silent House is Nobel Prize winner Peter Handke's evocative, moving, often fantastic, short novel about one man's conflict with himself and his journey toward resolution.
During one night shift, an unnamed, middle-aged pharmacist in Taxham, an isolated suburb of Salzburg, tells his story to a narrator. The pharmacist is known and well-respected, but lonely and estranged from his wife. He feels most comfortable wandering about in nature, collecting and eating hallucinogenic mushrooms. One day he receives a blow to the head that leaves him unable to speak, and the narrative is transformed from ironic description into a collection of sensual impressions, observations and reflections.
The pharmacist, who is now called the driver, sets out on a quest, travelling into the Alps with two companions—a former Olympic skiing champion and a formerly famous poet--where he is beaten and later stalked by a woman. He drives through a tunnel and has a premonition of death, then finds himself in a surreal, foreign land. In a final series of bizarre, cathartic events, the driver regains his speech and is taken back to his pharmacy—back to his former life, but forever changed.
A powerful, poetic exploration of language, longing and dislocation in the human experience, On a Dark Night I Left My Silent House reveals Handke at his magical best.
PUBLISHERS WEEKLY
Handke's stringent style of postmodern storytelling remains uncompromisingly austere in his latest novel, in which an unnamed protagonist goes on a directionless odyssey. Alienated from his wife and children, a middle-aged pharmacist with a preternatural sense of smell lives quietly in the parochial, suburbanized Austrian village of Taxham. His life revolves around mushroom gathering until a mysterious blow to the head renders him mute and sends him out into a progressively surrealDand often perilousDworld. With his protagonist's muteness keeping psychology at a distance, Handke (My Year in the No-Man's Bay, etc.) slips in and out of naturalism, satire, fable and allegory, strewing the book with fragments of fine writing as he follows the pharmacist across a dislocated European landscape. To add an extra dimension of self-consciousness to the chronicle, the pharmacist is relating his story retrospectively to an off-page narrator in one of the book's many instances of obstructed communication and hesitant introspection. For a time the pharmacist (who becomes known only as "the driver") is accompanied by two characters who hover between satiric and symbolic roles: a poet who has stopped writing and a former Olympic athlete. They encounter a series of menacing strangersDincluding a widow prone to fits of violenceDas well as figures from their pasts, but the pharmacist must complete his journey alone on a metaphysically windy steppe somewhere (perhaps) in Spain, where rules of space and time do not seem to apply. While there is a resolution, or at least an ending to the protagonist's enigmatic journey, Handke once again writes for a select audience that values impression over objective reality.
