Participation
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- $14.99
Publisher Description
When the weather revolts, certainties dissolve and binaries blur as members of two reading groups converge at the intersection of theory and practice to reshape their lives, relationships, and reality itself.
In the latest novel from Anna Moschovakis, two reading groups, unofficially called Love and Anti-Love, falter amidst political friction and signs of environmental collapse. Participation offers a prescient look at communication in a time of rupture: anonymous participants exchange fantasies and ruminations, and relationships develop and unravel. As the groups consider—or neglect—their syllabi, and connections between members deepen, a mentor disappears, a translator questions his role, a colleague known as “the capitalist” becomes a point of fixation, and “the news reports” filter through in fragments. With incisive prose and surprising structural shifts, Participation forms an alluring vision of community, and a love story like no other.
PUBLISHERS WEEKLY
Novelist, poet, and translator Moschovakis (Eleanor, or, The Rejection of the Progress of Love) delivers a brilliant and prescient story of an intellectual woman's engagement with two book clubs amid climate catastrophe and political strife. As E, founder of the now-defunct group Anti-Love, theorizes about her own desires, she experiences dueling erotic impulses toward S, whose full name and gender are unknown to E, and who belongs to another group, Love, which has transitioned from IRL to virtual meetings; and a man she nicknames "the capitalist," whom she knows through one of her jobs. The two clubs' binary names highlight E's ambivalence about love and partnerships; she reflects on the Love group's choice of a text about Aristophanes's view that each person spends their life searching for their other half. Meanwhile, news alerts of marching white supremacists and extreme weather events flash on E's computer screen, which she describes as a "stack of small explosions, almost registering, then, compulsively, swiped away." Often, E breaks the fourth wall, anticipating and toying with the reader's expectations ("I love it when you try to guess. Sometimes it's exactly what I need"). Throughout, Moschovakis brings her fierce intelligence to bear in the structurally surprising and impeccably executed narrative. This is formal innovation at its finest.
