The Blackhouse
The gripping start to the bestselling crime series (Lewis Trilogy Book 1)
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4.0 • 48 Ratings
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- $11.99
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- $11.99
Publisher Description
THE 12 MILLION COPY BESTSELLING AUTHOR OF THE ENZO FILES AND THE CHINA THRILLERS
AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021
'One of the best regarded crime series of recent years.' Independent
'No one can create a more eloquently written suspense novel than Peter May.' New York Journal of Books
PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES
A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith.
A MURDER
Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past.
A SECRET
Something lurks within the close-knit island community. Something sinister.
A TRAP
As Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.
LOVED THE BLACKHOUSE? Read book 2 in the Lewis trilogy, THE LEWIS MAN
LOVE PETER MAY? Buy his latest frontlist thriller, THE NIGHT GATE
APPLE BOOKS REVIEW
This is the first instalment of Peter May’s excellent thriller trilogy set on Hebridean outpost the Isle of Lewis. The island is where D.I. Fin Macleod grew up and he returns to investigate a gruesome murder that may have links to one of his own cases in Edinburgh. May builds Fin as a compelling character by juxtaposing his tough, present-day demeanour with flashbacks to an emotionally scarring past. Lewis is an equally powerful presence in the rich, snaking plot: its treacherous landscape holds dark secrets and provides an atmospheric backdrop for the scintillating final showdown.
PUBLISHERS WEEKLY
Television dramatist May's brilliant first in a trilogy set on the Gaelic-speaking Isle of Lewis, northernmost of Scotland's Outer Hebrides, introduces Fin Macleod, a Lewis native and Edinburgh CID detective sergeant. While grieving over the accidental death of his only child, Fin investigates a grisly homicide nearly identical to a previous case in Edinburgh. Back in Macleod's home village of Crobost, first-person flashbacks gradually unveil contradictory episodes of horror and compassion in his youth, counterpointing the third-person account of the present-day murder case. Abundant local color much of it physically and psychologically wrenching, like the islanders' annual culling of seabirds, a primitive rite of passage matches Macleod's tormented emotional landscape. The struggles of such multidimensional characters as Artair, Macleod's boyhood friend, and Marsaili, the girl they both loved and Artair married, add depth. In the acknowledgments, May (Blowback) reveals that he drew much of his inspiration from five years filming on the island.
