The Catholic School
-
- $8.99
-
- $8.99
Publisher Description
Edoardo Albinati's The Catholic School creates a world: a world of power, sex, violence and the threat of masculinity, of the power wielded and misused by men in groups.
In 1975, three young well-off men, former students at Rome's prestigious all-boys Catholic high school San Leone Magno, brutally torture, rape, and murder two young women. The event, which comes to be known as the Circeo massacre, shocks and captivates all of Italy, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion are under threat.
Edoardo Albinati sets his novel in the halls and corridors of San Leone Magno in the late 1960s and the 1970s, exploring the intersection between the world of teenage boys and the structures of power in modern Italy. Along with indelible portraits of teachers and pupils - the charming Arbus, the literature teacher Cosmos, and his only Fascist friend, Max - Albinati's novel also reflects on the legacy of abuse, the Italian bourgeoisie, and the relationship between sex, violence, and masculinity.
PUBLISHERS WEEKLY
Albinati examines radical politics, religious poetry, and Hellenic philosophy, his country's long dalliance with fascism, and even Alfred Hitchcock in an exhaustive manner that winds up bordering on extreme navel-gazing. Albinati's centerpiece is the real-life murder and rape of two women by his near-peers at the all-boys school of San Leone Magno in 1975. To make sense of the crimes, Albinati revisits every aspect of his education and its aftermath, often in digressive detail, and too often he arrives at bromides ("The real problem with truth is whether or not to speak it") or, for instance, the etymology of the Italian word for rape, altogether doing little to elucidate the questions of privilege and power that lie at the novel's heart. Readers meet schoolmates including the precocious athlete Arbus, the vicious Max, and mentor Cosmo, whose unusual knowledge of classical literature provides the young with Edoardo with a path toward a goal in writing and out of the stultifying world of San Leone Magno. Still, this massive work winds up as less a new take on the nonfiction novel than an exercise in indulgence and solipsism.