The Diana Chronicles
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4.2 • 12 Ratings
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- $16.99
Publisher Description
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The 20th Anniversary Edition of Tina Brown's definitive behind-the-scenes insight into the life of Diana Princess of Wales, as depicted in the hit Netflix series The Crown, with a brand new introduction by Andrew Marr.
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More than twenty years after her death, Princess Diana remains a mystery. Was she "the people's princess," who electrified the world with her beauty and humanitarian missions? Or was she a manipulative, media-savvy neurotic who nearly brought down the monarchy?
In this commemorative edition, which includes a new introduction by Andrew Marr, The Diana Chronicles parts the curtains on Diana's troubled time in the mysterious world of the Windsors, as she breaks out of her royal cage into celebrity culture, where she found her own power and used it to devastating effect.
Knowing Diana personally, Tina Brown understands her world, understands its players and has-reaching insight into the royals and the Queen herself. Meet the formidable female cast and get to know the society they inhabit, as you never have before.
PUBLISHERS WEEKLY
Princess Diana was "the best thing to happen" to the British royals "since the restoration of Charles II," concludes Brown in this dishy biography, and the royal family's error was not realizing that. It's tough to pigeonhole a peacock, but Brown, former editor of Vanity Fair and the New Yorker, tries, calling the late Diana a diva, "a siren of subversion" who "even as a small girl... had been dangerous when hurt." Brown shows how Diana excelled at manipulating the media; her in-laws could only stand by helplessly as she captivated the cameras by batting her eyes or lowering them in her trademark "Shy Di" look. So enamored of herself was Diana, according to Brown, that she claimed not to understand why a certain cardiologist preferred his work at the hospital to seeing after her. Brown interviewed more than 250 people, from Mikhail Baryshnikov (who found the late Princess "so much more beautiful than any photographs or TV") to a friend of Diana's late mother, who says that mum disapproved of her daughter's too hasty royal marriage and tried talking her out of it. In the battle of unpleasant revelations made by both sides in the Di-Charles battles, Brown speculates that Squidgy-gate was the product of MI5 bugging the royal phones. Brown gives her book a tabloid-lingo touch and can fall into melodrama (while everyoneo saw Di's life as a Rodgers and Hammerstein musical, the author says, it "was becoming more like something out of Hitchcock"), but then, given the nature of the subject matter, a little melodrama is entirely fitting. However, the final portrait of Diana as a heroine who broke free of the royal bonds and changed the monarchy forever will be familiar to most readers.
