The End of Solitude
Selected Essays on Culture and Society
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- $17.99
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- $17.99
Publisher Description
A passionate, probing collection gathering nearly thirty years of groundbreaking reflection on culture and society alongside four new essays, by one of our most respected essayists and critics.
What is the internet doing to us? What is college for? What are the myths and metaphors we live by? These are the questions that William Deresiewicz has been pursuing over the course of his award-winning career. The End of Solitude brings together more than forty of his finest essays, including four that are published here for the first time.
Ranging widely across the culture, they take up subjects as diverse as Mad Men and Harold Bloom, the significance of the hipster, and the purpose of art. Drawing on the past, they ask how we got where we are. Scrutinizing the present, they seek to understand how we can live more mindfully and freely, and they pose two fundamental questions: What does it mean to be an individual, and how can we sustain our individuality in an age of networks and groups?
PUBLISHERS WEEKLY
Essayist Deresiewicz (The Death of the Artist) eviscerates "groupthink" in this razor-sharp collection made up mostly of previously published pieces. Identifying the book's unifying theme as an "attempt to defend, and, as well as I can, to enact, a certain conception of the self... developed in solitude, in fearless dialogue, by reading, through education as the nurturing of souls; embodied in original art and independent thought," Deresiewicz is at his most trenchant when analyzing the technological and cultural forces arrayed against his preferred mode of being. He compares the links between TV and boredom—"television, by eliminating the need to learn to make use of one's lack of occupation, prevents one from discovering how to enjoy it"—to the relationship between the internet and loneliness, alleging that social media and text messaging have helped to rob people of "the propensity for introspection" and "the capacity for solitude." Elsewhere, Deresiewicz contends that the "culture of political correctness" at elite private colleges provides affluent students and faculty "with the ideological resources to alibi or erase their privilege." Despite a tendency to generalize and the occasional slip into ungracious embitterment, as when he writes that having a "white penis" put two strikes against him on the academic job market, Deresiewicz anatomizes modern life with skill and fierce conviction. Readers will relish grappling with these erudite provocations.
