The Hunter
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4.0 • 1 Rating
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- $15.99
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- $15.99
Publisher Description
Somewhere, he thinks, cherishing his last thought before sleep, somewhere, out there, the last tiger stands with her back to the rising wind and slowly shakes herself awake.
An unnamed man arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported . . .
Uncompromising and compelling, Julia Leigh's stunning first novel is a haunting tale of obsession that builds to an unforgettable conclusion.
'Leigh has completely mastered the craft of storytelling, and her evocation of place and time is stunning.' Guardian
'I was hooked from the first page.' Australian's Review of Books
'Julia Leigh has emerged with a writing voice of great purity and strength . . . her talent burns bright.' Frank Moorhouse
PUBLISHERS WEEKLY
Already a hit in Australia, Leigh's flawed but exciting debut describes the deadly search for the fabled, and perhaps extinct, Tasmanian tiger, aka the thylacine. A mysterious man who is identified to the reader only as M assumes the identity of "Martin David, naturalist" and arrives at the filthy, disheveled house of depressed Lucy Armstrong, whose husband, Jarrah, a naturalist and bioethics expert, recently disappeared on the plateau. Lucy's home becomes the base for M's treks into the wilderness, ostensibly to study the habits of Tasmanian devils. In fact, and in secret, M works for a biotech company. His mission: to secure genetic material from what may be the world's last remaining thylacine, reportedly sighted on the plateau. M must hide his true occupation from Lucy and her lonely children, Sass and Bike, as well as from the National Parks researchers and the suspicious local townspeople. Sydney-based Leigh shifts ably between M's laconic narration and third-person storytelling. With the exception of a superfluous (and clumsily handled) romantic subplot, the novel's events are compelling, drawing the reader deep into M's inner jungle. Leigh is most effective when writing in M's voice, exploring his relationship to the wilderness, his tracking expertise and his ability "to think like a true and worthy predator." Fans of Peter Matthiessen will find Leigh darker and sometimes less ambitious, but effective in similar ways, as M's obsession with the hunt drives this moody work by a gifted new author to its chilling conclusion.
