The Last Action Heroes
The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage
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5.0 • 1 Rating
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- $8.99
Publisher Description
The behind-the-scenes story of the action heroes who ruled 1980s and 90s Hollywood and the beloved films – from Die Hard to The Terminator – that made them stars.
This wildly entertaining account of the golden age of the action movie charts Sylvester Stallone and Arnold Schwarzenegger’s carnage-packed journey from enmity to friendship against the backdrop of Reagan’s America and the Cold War. Revealing fascinating untold stories of the colourful characters who ascended in their wake – high-kickers Chuck Norris and Jackie Chan, glowering tough guys Dolph Lundgren and Steven Seagal, and quipping troublemakers Jean-Claude Van Damme and Bruce Willis – it tells the story of how the era of the invincible action hero who used muscle, martial arts or the perfect weapon to save the day began to fade. And how, when Jurassic Park trounced Schwarzenegger’s Last Action Hero in 1993, the glory days of these macho men – and the vision of masculinity they celebrated – were officially over.
Drawing on candid interviews with the action stars themselves, plus their collaborators, friends and foes, The Last Action Heroes is a no-holds-barred account of a period in Hollywood history when there were no limits to the heights of fame these men achieved, or to the mayhem they wrought, on-screen and off.
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Praise for Nick de Semlyen's Wild and Crazy Guys:
'Pithy and propulsive' - The Times
'I loved it so much!' - Stuart Heritage
'A fabulous romp of a book . . . stuffed full of juicy tid-bits' - The i
'A terrific contribution to the genre' - Hadley Freeman
PUBLISHERS WEEKLY
De Semlyen (Wild and Crazy Guys), editor of Empire magazine, delivers a testosterone-fueled ode to action movies of the 1980s and '90s. He goes behind the scenes of the biggest hits of Sylvester Stallone, Arnold Schwarzenegger, and Jean-Claude Van Damme, among others, telling, for example, how Jackie Chan saw 1983's Project A as his attempt to achieve in the U.S. the stardom he already had back in China, and how tensions brewed on the set of Die Hard (1988) when Bruce Willis refused to follow the director's blocking because he feared it would reveal his hair was thinning. Becoming an action hero takes hard work, as demonstrated by the punishing workouts Arnold Schwarzenegger followed to bulk up, but de Semlyen suggests the era's hypermasculinity had a dark side, with Steven Seagal facing numerous sexual assault allegations throughout his career. Still, the author shows plenty of love for the high-adrenaline classics he discusses, and fans of Reagan-era blockbusters will eat up tales from the sets of Conan the Barbarian, Rocky IV, and Predator. Additionally, de Semlyen's astute analysis takes this up a notch (he suggests that '80s action films satisfied audiences' appetite for moral simplicity and "a renewed sense of purpose" after the disillusionment of Watergate and the Vietnam War). This packs a punch.