The Sadness
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- $15.99
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- $15.99
Publisher Description
Broke and homeless at 30, Kelly Enright flees Arizona. Returning to her hometown of Portland, ME, her only plan is to track down her estranged but well-off father. But her twin brother, Max, is living in their deceased mother's home, and if anyone's more screwed up than Kelly, it's disheveled, misanthropic Max.
Max has just one obsession: film. In particular, his own unfinished project from a decade earlier, which he believes is a masterpiece in the making. He dreams of completing it, but there’s a major problem: Evelyn, his actress and muse, has recently disappeared. After seeing her name in the credits of a famous cult film shot in their hometown, Max thinks Evelyn's disappearance has something to do with the film, and an upcoming festival devoted to it.
Kelly's arrival upsets Max's plans for finding Evelyn. Enter Penelope Hayward, the film's star and Kelly's high school best friend. Now a major Hollywood star, Penelope arrives in Portland as the festival's guest of honor.
As Max's search for his lost leading lady becomes increasingly, absurdly self-destructive, Kelly must help her brother, who has never recovered from their mother's death.
PUBLISHERS WEEKLY
You don't have to be a movie buff to appreciate Rybeck's debut novel, but it helps to recognize the references to Hitchcock, Bergman, and others in this story featuring two fictional films made in Portland, Maine. The first film, a cult favorite titled Land Without Water, launches the career of hometown-girl-turned-B-list-Hollywood-starlet Penelope Hayward, who returns to the town for the annual festival honoring the film. The second is The Glazen Shelves, the brainchild of cinema nerd and aspiring writer/director Max Enright, still unfinished after 61 drafts. Max is searching for his film's star, Evelyn Andersson, who has mysteriously disappeared, when Max's twin sister (and Penelope's former best friend), Kelly, returns to Portland. Homeless and unemployed, Kelly is searching for the father that abandoned the twins alongside their wild hippie mother when the twins were three. The mother died years later while away on what she claimed was a job interview. To recount interrelated stories of the siblings and the films, Rybeck uses a variety of forms including letters, a diary, and imaginary interviews. A few scenes over-reach but the characters experience memorable moments of self-awareness. Often humorous, sometimes touching, newcomer Rybeck's tale of youthful woe portrays a generation full of promise as it runs aground.
