The Secret Knowledge
On the Dismantling of American Culture
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- $18.99
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- $18.99
Publisher Description
David Mamet has been a controversial, defining force in nearly every creative endeavor-now he turns his attention to politics.
In recent years, David Mamet realized that the so-called mainstream media outlets he relied on were irredeemably biased, peddling a hypocritical and deeply flawed worldview.
In 2008 Mamet wrote a hugely controversial op-ed for the Village Voice, "Why I Am No Longer a 'Brain-Dead Liberal'", in which he methodically attacked liberal beliefs, eviscerating them as efficiently as he did Method acting in his bestselling book True and False.
Now Mamet employs his trademark intellectual force and vigor to take on all the key political issues of our times, from religion to political correctness to global warming. The legendary playwright, author, director, and filmmaker pulls no punches in his art or in his politics. And as a former liberal who woke up, Mamet will win over an entirely new audience of others who have grown irate over America's current direction.
PUBLISHERS WEEKLY
American playwright and filmmaker Mamet is a wide-ranging author (including children's stories, a volume of verse, and even a graphic novel), but he excels at the coolly acerbic essay, which best shows off his contrarian streak. This set of short, informal essays elaborate on his recent political awakening from "brain-dead" liberalism, a foray into what used to be called the culture wars. It feels a couple of decades tardy and, despite its author's characteristically terse yet pensive prose, too at-the-knee of the usual neoconservative icons, including Hayek. The title refers to the privileged patterns of initiation into the worldview of the "Liberal Left" Mamet ridicules, often by analogy to adolescent na vet . But he replaces one set of talking points with another: the familiar argot about free markets, inveighing against any opposition to Israel as anti-Semitism, and the "liberal" attempt to bankrupt us all. Mamet still wields the colorful anecdote and unexpected analogy, and his narrative holds most interest when straying back to his turf on movie sets and theater stages. But as an avenging apostate of liberalism, Mamet offers nothing new.
