The Son
-
- $12.99
-
- $12.99
Publisher Description
An epic journey spanning a century and a half in Texas, America.
Eli McCullough was born in 1836, the year that the Republic of Texas was declared an independent
state. He was the first child of this new republic. Eight years later he and his brother are kidnapped. They are left with nothing, barely their lives, whilst Eli watches his sister being raped and killed.
Slowly he learns the ways and life of the Comanches as they battle to survive themselves against the incursions of the white settlers. But his progress within the tribe is matched by the tribe's own perilous journey, as an epidemic endangers their future. Eli is forced to leave the tribe and pursue his life elsewhere. He falls in love has children and becomes a Ranger working for the Government, but finds it hard to break his Comanche memories and ways. He lives to be 100 and tells his remarkable story.
Eli's son Peter McCullough endures the First World War and several Mexican attacks. His diaries tell of momentous and dangerous times as he tries to maintain the dynasty begun by his father, now named the Colonel.
At the age of eighty-six Jeanne Anne McCullough is the fifth richest woman in Texas, She has had a fall and is perilously close to death. She goes in and out of consciousness and tells her own history; battling to keep the family alive; battling to prevent the large-scale acquisitive oil companies from buying her land; battling to hold on to her largesse and her legacy.
Three stories of one family combine to produce nothing less than a standout epic of and for our time.
PUBLISHERS WEEKLY
In chronicling the settlement and scourge of the American West, from the Comanche raids of the mid-19th century into the present era, Meyer never falters. The sweeping history of the McCullough dynasty unfolds across generations and through alternating remembrances of three masterfully drawn characters: Eli, the first white male born in a newly founded Texas, captured and raised by Comanche Indians; Eli's self-sacrificing son, Peter, who shuns everything his power-hungry father represents; and Jeannie, Eli's fiercely independent great-great-granddaughter, who inherits the family fortune. Chapters detailing Peter's affair with a Mexican neighbor and his moral struggle with his ancestors' bloody legacy are keenly balanced alongside those involving Jeannie's firm yet impassive rule over the modern McCullough estate. But it's the engrossing, sometimes grotesque descriptions of Eli's early tribal years scalpings, mating rituals, and a fascinating few pages about the use of buffalo body parts that recalls Moby Dick that are the stuff of Great American Literature. Like all destined classics, Meyer's second novel (after American Rust) speaks volumes about humanity our insatiable greed, our inherent frailty, the endless cycle of conquer or be conquered. So, too, his characters' successes and failures serve as a constant reminder: "There is nothing we will not have mastered, except, of course, ourselves."