The Witching Tide
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5.0 • 1 Rating
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- $15.99
Publisher Description
A spellbinding historical debut which tells the story of a silent midwife hiding a secret and a witch-hunt that tears a community apart. Perfect for fans of Stacey Halls, Maggie O'Farrell, Jessie Burton and Hannah Kent.
East Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived for more than four decades in her beloved coastal village of Cleftwater. Everyone knows Martha, but no one has ever heard her speak.
One morning, the peaceful atmosphere is violently shattered and Martha becomes a silent witness to a witch hunt. As a trusted member of the community, she is enlisted to search the bodies of the accused women. But whilst Martha wants to help her friends, she also harbours a dark secret.
In desperation, she revives a witching doll that she inherited from her mother, in the hope that it will bring protection. But the doll's true powers are unknowable, the tide is turning, and time is running out . . .
A spellbinding and intoxicating novel inspired by true events, The Witching Tide breathes new life into history whilst holding up a mirror to the world we live in now. A story of loyalty and betrayal, fear and obsession, the impact of misogyny and the power of resistance, it is a magnificent debut from a striking new voice.
PUBLISHERS WEEKLY
A mute midwife becomes a target of the 17th-century East Anglian witch hunt in Meyer's immersive if murky debut. Martha Hallybread, 47, lives with Kit, whom she nursed as a child, and his family, and uses her knowledge of herbs to treat illnesses and deliver babies. The day after she and a servant named Prissy deliver a neighbor's baby with fatal birth defects, Prissy is accused of witchcraft and arrested. Kit, hoping to shield Martha from execution, convinces the court to employ her as one of the women scouring the bodies of the accused for witch marks. Martha tries to leverage her new role to protect the accused, but matters take a turn for the worse when Kit's pregnant wife, Agnes, is also accused of witchcraft because of her association with Martha. Things get a little hazy in the third act, as Martha uses the poppet she inherited from her mother to put a hex on the witchfinder who'd accused her and Agnes, though Meyer remains coy as to whether or not the magic is real. Still, the author offers a stirring depiction of the selfishness, revenge, and fear behind the accusations. This evocative narrative is sure to pique readers' curiosity about the witch trials.
