Vacant Possession
-
-
3.3 • 3 Ratings
-
-
- $14.99
Publisher Description
From the Man Booker Prize-winning author of ‘Wolf Hall’ and ‘Bring Up the Bodies’, a savagely funny tale that revisits the characters from the much-loved ‘Every Day is Mother’s Day’.
Muriel Axon is about to re-enter the lives of Colin Sidney, hapless husband, father and schoolmaster, and Isabel Field, failed social worker and practising neurotic.
It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and rather a lot of vengeance to be wreaked.
Reviews
‘Savage and funny black humour at its best’ Time Out
’The macabre and wonderfully funny plot has as many twists and turns as a well-made thriller’ Standard
‘Filled with fiendish glee……Lie back and laugh yourself silly: this is the best send-up for a long, long time.’ New Statesman
‘Hilary Mantel's wit is wonderful and startlingly nasty’ Sunday Times
‘The farce is edged with constant acuteness about our current social mess and the pleas for charity to begin at home never miss the bull’ Observer
About the author
Hilary Mantel is the author of seventeen books, including A Place of Greater Safety, Beyond Black, the memoir Giving Up the Ghost and the short story collection The Assassination of Margaret Thatcher. Her latest novel, The Mirror & the Light, won the Walter Scott Prize for Historical Fiction, while Wolf Hall and Bring Up the Bodies were both awarded the Booker Prize.
PUBLISHERS WEEKLY
The haunting sequel to Mantel's Every Day Is Mother's Day (see above) offers powerful insight into its precursor. Muriel Axon is the untouchable yet tarnished heroine here, and she selectively reveals her disturbing plans for revenge against all who vaguely knew and despised her. A decade after the close of the first book, Muriel has just been released from the institution where she was housed after her mother's suspicious death, and has since acquired new skills to aid her vengeful mission. Taking on the identity of "Poor Mrs. Wilmot," she rents a room from paranoid Russian landlord Mr. Kowalski and works the night shift as a cleaning lady at St. Matthew Hospital, where, not coincidentally, she assumes an unlikely bedside manner with the elder Mrs. Sidney and her former social worker Isabel Field's bedridden father. Mrs. Sidney's son, Colin; his wife, Sylvia; and their four children have moved into the former Axon home despite its history as a house of violent tragedy. Even after a renovation and the help of a new though odd housekeeper, Lizzie Blank, the house refuses to be maintained. Although Colin ended an affair years ago, the strain of being the breadwinner while being ignored by the civic-minded Sylvia and hassled by his money-grubbing teenagers allows him to entertain the fantasy of finding his lost lover. And he does reconnect, thanks in part to his naive, 18-year-old daughter. Surprise revelations from start to finish mark Mantel as a remarkably clever writer whose second book, paired with her first, makes for wickedly pleasurable reading.
