Who is Rich?
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- $8.99
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- $8.99
Publisher Description
‘Who is Rich? Is a tantalizing novel – acute and smart and stark, but mostly it’s unrelentingly funny about a large number of very inappropriate things. It’s one of those rare books: you open it, then you’re up all night. I was‘ Richard Ford
Every summer, a once-sort-of famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a week-long arts conference in a charming New England beachside town. It’s a place where drum circles happen on the beach at midnight, clothing optional. Rich finds himself worrying about his family’s nights without him, his back taxes, his stuttering career and his own very real desire for love and human contact. One of the attendees this year is a forty-one-year-old painting student named Amy O’Donnell. Amy is a mother of three, unhappily married to a brutish Wall Street titan who commutes to work via helicopter. Rich and Amy met at the conference a year ago, shared a moment of passion, then spent the winter exchanging inappropriate texts and emails and counting the days until they could see each other again.
Now they’re back.
Who Is Rich? is a warped and exhilarating tale of love and lust, a study in midlife alienation, erotic pleasure, envy, and bitterness in the new gilded age that goes far beyond humour and satire to address deeper questions: of family, monogamy, the intoxicating beauty of children and the challenging interdependence of two soulful, sensitive creatures in a confusing domestic alliance.
Reviews
‘Regardless of British qualms about the American takeover of the Man Booker prize, Who Is Rich? feels like another strong transatlantic candidate for 2018.’
Mark Lawson, Guardian
‘Who is Rich? Is a tantalizing novel – acute and smart and stark, but mostly it’s unrelentingly funny about a large number of very inappropriate things. It’s one of those rare books: you open it, then you’re up all night. I was’ Richard Ford
‘Matthew Klam writes beautifully about the strange, extraordinary adventure of being human. Who is Rich? is tragic and comic in equal measure, written with a poignancy that makes you laugh and simultaneously wince in recognition. A profoundly memorable novel’ Elizabeth Day
‘I loved every page of this book. It got into my bloodstream – and kind of destroyed me’ Curtis Sittenfeld
‘What a thrill to experience the fusion of Matthew Klam’s fierce, kinetic prose’ Jennifer Egan
‘I seriously, deeply love this book’ Michael Cunningham
‘A stunner . . . funny, dark, big, and bold . . . Who Is Rich? Is not to be missed’ Meg Wolitzer
‘Political in a way that is not always noted because it is also so funny’ Lorrie Moore
‘Immediately engaging … a stylish romp through the inbuilt disappointment of middle age’ Lionel Shriver, Observer
‘Buy it and read it in one sitting’ Sunday Times Style
‘It’s a portrait of the triumphs and disasters of modern fatherhood, and the pram in the hall. It’s a How We Live Now novel, one of the best to come along in a while’ Esquire
'You know those big American novels that you sometimes lose a couple of days to? This is one of those books, conjuring up the humour and narrative of a John Irving or AM Homes… book out a weekend to read it' Stylist
‘Comic, wondrous, and sad’ New Yorker
‘It’s the funniest novel I’ve read in ages and one of the saddest … will please anyone who likes their protagonists clever and deluded, hopeful and doomed’Joe Dunthorne, Guardian
‘Fantastically funny’ Scottish Daily Mail
PUBLISHERS WEEKLY
In his first novel, Klam (Sam the Cat) explores excess and penury, conspicuous consumption and tortured artistic production, as well as monogamy and its discontents in an acidly funny portrait of a has-been cartoonist. Some years having passed since his acclaimed graphic novel appeared, Rich works as an illustrator for a magazine (a thinly veiled New Republic), a gig that pays the bills, just barely, but doesn't satisfy his artistic ambitions: "Illustration is to cartooning as prison sodomy is to pansexual orgy. Not the same thing at all." As the novel opens, he is preparing to lead an illustration workshop at a Cape Cod summer arts conference, an "open-air loony bin" whose collection of teachers and megalomaniac sponsor Klam satirizes marvelously. Away from his wife and children, Rich carries on an affair with Amy, a painter and "emotionally stunted zillionaire" who is married to a banker funneling money to right-wing political causes. Two dilemmas arise: whether Rich should mine his "debasing experiences for the purposes of artistic advancement," perhaps ruining his shaky marriage in the process, and whether he should sacrifice his self-respect and accept help from his "plutocrat" lover. Though there are stretches in which Rich's middle-aged male angst can be stifling, the vibrant prose (accompanied by John Cuneo's equally vibrant illustrations) enlivens the proceedings. Libidinous, impulsive, sarcastic, bitter, casually suicidal, and committed to his art "I'd given up everything for cartooning, and for that alone I deserved to die" Rich is a worthy addition to American literature's distinguished line of hapless antiheroes.