Arcadia
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- 8,49 €
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- 8,49 €
Publisher Description
A captivating adventure story with huge heart and dazzling imaginative power, from the bestselling author of An Instance of the Fingerpost.
Three interlocking worlds. Four people looking for answers. But who controls the future - or the past?
In a professor's house in Oxford, fifteen-year-old Rosie goes in search of a missing cat - and instead finds herself in a different world.
Anterwold is a sun-drenched land of storytellers, prophecies and ritual. But is this world real - and what happens if she decides to stay?
Meanwhile, in a sterile laboratory, a rebellious scientist is trying to prove that time does not even exist - with potentially devastating consequences.
PUBLISHERS WEEKLY
Pears's (An Instance of the Fingerpost) latest is a clever, well-constructed story. Living in an environmentally ravaged future governed by a technocratic so-called Scientific Government, the "psychomathematician" Angela Meerson builds a machine that could in theory access the resources of a parallel universe. However, the contraption turns out to be a good old-fashioned time machine that transports Meerson to pre-WWII Europe. Several decades later in 1960, she has built a new version of her machine in the cellar of the house of her lover, Henry Lytten, an Oxford literature scholar and intelligence agent who also dabbles in creative writing. Drawing heavily on the tropes of the Elizabethan pastoral and many other sources, Lytten has outlined a novel set in the fantasy realm of Anterworld. Anterworld is an oral culture whose priests are "Storytellers," scholar-bards who roam the land and impart wisdom through sacred tales. Meerson uses Lytten's sketchily conceived world to create a "latent" universe in her machine, a universe that gets activated, with unforeseen consequences, when a young girl named Rosie stumbles into the realm. Anterworld is meant to be derivative, borrowing from the long literary tradition of utopia and fantasy; this quality perhaps explains why although it gets the most attention of the novel's three narratives, Anterworld is the least enchanting. Nonetheless, Pears excels at stage-managing the multiple sets as the actors leap from the dystopian future, to England in the grips of the Cold War, to whenever Anterworld could be said to exist, altering history as they go. A fun, immersive, genre-bending ride. 75,000-copy first printing.
