- 4,99 €
The action swings from London to Sweden, and then back into the past, to Franco’s Spain, as Roy & Castells hunt a monstrous killer … in the latest instalment of Johana Gustawsson’s award-winning series
‘Historical sections highlight, in distressing detail, the atrocious treatment of mothers-to-be in Franco’s Spain … A satisfying, full-fat mystery’ The Times
‘Assured telling of a complex story’ Sunday Times Crime Club
‘Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling’ Peter James
Spain, 1938: The country is wracked by civil war, and as Valencia falls to Franco’s brutal dictatorship, Republican Therese witnesses the murders of her family. Captured and sent to the notorious Las Ventas women’s prison, Therese gives birth to a daughter who is forcibly taken from her.
Falkenberg, Sweden, 2016: A wealthy family is found savagely murdered in their luxurious home. Discovering that her parents have been slaughtered, Aliénor Lindbergh, a new recruit to the UK’s Scotland Yard, rushes back to Sweden and finds her hometown rocked by the massacre.
Profiler Emily Roy joins forces with Aliénor and soon finds herself on the trail of a monstrous and prolific killer. Little does she realise that this killer is about to change the life of her colleague, true-crime writer Alexis Castells. Joining forces once again, Roy and Castells’ investigation takes them from the Swedish fertility clinics of the present day back to the terror of Franco’s rule, and the horrifying events that took place in Spanish orphanages under its rule.
Terrifying, vivid and recounted at breakneck speed, Blood Song is not only a riveting thriller and an examination of corruption in the fertility industry, but a shocking reminder of the atrocities of Spain’s dictatorship, in the latest, stunning instalment in the award-winning Roy & Castells series.
‘French novelist Johana Gustawsson writes novels of startling originality. Blood Song [is] truly horrifying’ Sunday Times
‘Her sleuths tracking a monstrous killer, transporting us from modern-day fertility clinics in Sweden to the abuses of Spanish orphanages under the brutal rule of General Franco … a truly European thriller’ Financial Times
‘Emotional and atmospheric’ New Books Magazine
‘Intricately plotted, visceral and emotional the author ramps up the tension and the unfolding keeps the reader guessing to the very end. Scenes are raw, vivid and gripping’ Promoting Crime
‘I don’t think there’s a crime writer who writes with such intelligence, darkness and deep sadness as Johana Gustawsson. This was extraordinary’ Louise Beech
‘Blood Song caught and has held onto my thoughts, it is clever, provocative, and a seriously good read’ LoveReading
‘A fascinating and engrossing read, but also one that I found intensely harrowing, deeply intimate and which made me cry’ Live & Deadly
‘Gustawsson has astounded me with her fabulous ability to intertwine crimes of the past with crimes of the present, seamlessly weaving multiple threads together to create a well-plotted, intelligent thriller’ Off-the-Shelf Books
‘A gorgeous if traumatic read and Johana Gustawsson knows how to weave a web of emotion around the reader’ Liz Loves Books
The prologue of Gustawsson's disappointing third crime thriller featuring profiler Emily Roy and true crime author Alexis Castells (after 2018's Keeper) suggests that the atrocities of Franco's Spain will be a prime plot element, as does a scene set in 1937 Spain, but these prove incidental. Instead, the focus is on the stabbing murders of three members of the wealthy Lindbergh family in Falkenberg, Sweden, in 2016. When Ali nor Lindbergh, who's interning with the Metropolitan Police in London, learns of the deaths of her parents and sister, she returns home to Sweden, accompanied by her friend Emily, who was teaching her criminal profiling. There Alexis joins Emily in investigating the killings. The search for answers leads the pair to look for a connection to a fertility clinic operated by Ali nor's parents that boasted an improbable success rate. Readers should be prepared for stock characters and predictable plot twists, as well as distracting flashbacks that promise more than they deliver. Crime fiction fans can safely pass on this one.