



Blood Sugar
A New York Times Best Thriller
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4.0 • 1 Rating
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- 3,99 €
Publisher Description
She's accused of four murders. She's only guilty of three...
When Ruby was a child growing up in Miami, she saw a boy from her school struggling against the ocean waves while his parents were preoccupied. Instead of helping him, Ruby dove under the water and held his ankle down until he drowned. She waited to feel guilty for it, but she never did.
And, as Ruby will argue in her senior thesis while studying psychology at Yale, guilt is sort of like eating ice cream while on a diet - if you're already feeling bad, why not eat the whole carton? And so, the bodies start to stack up.
Twenty-five years later, Ruby's in an interrogation room under suspicion of murder, being shown four photographs. Each is a person she once knew, now deceased. The line-up includes her husband Jason. She is responsible for three of the four deaths... but it might be the crime that she didn't commit that will finally ensnare her.
From the Emmy Award-winning Executive Producer of The Bold Type, this darkly funny and compulsively page-turning novel is perfect for fans of Caroline Kepnes' You and Oyinkan Braithwaite's My Sister the Serial Killer.
PUBLISHERS WEEKLY
Rothchild (How to Get Divorced by 30) makes her fiction debut with a mesmerizing thriller. At age five, Ruby Simon holds seven-year-old Duncan Reese underwater in the Atlantic Ocean until he drowns, an act that to her surprise she doesn't feel guilty about. Flash forward 25 years. In a Miami Beach PD interrogation room, Det. Keith Jackson confronts Simon with photos of four murder victims, including Reese. Simon says she killed Reese because he had bullied her beloved older sister, and she decided that drowning him was her only effective option. Simon recalls the circumstances of two other killings before Jackson gets to the crime Simon has been arrested for, her husband's murder. Rothchild does a terrific job keeping readers wondering about Simon's reliability, and pulls off the considerable challenge of engendering sympathy for an unrepentant killer. Vivid prose is another plus—Simon refers to her mother and father as submarine, rather than helicopter, parents because they were "a giant lumbering presence, but too often unseen and too deep to be accessible." Jeff Lindsay fans will have a hard time not devouring this standout effort in one sitting.